The Way Back

I have a soft spot for Weir, but he’s off the mark here. Actually, I think that it wasn’t reasonable to even try to make a film like this, paradoxically, for the same (or rather, opposite) reason that made me doubt 127 Hours. Whereas in Boyle’s latest, there wasn’t enough story for a feature film, in The Way Back  there is too much and it feels like a bunch of haphazardly cut sections of the story of a much longer film. I can’t say I had fun, or that I feel like watching the extended (complete) version. After those 133 minutes, I felt almost as exhausted as if I had made that trek, which, as someone who likes comfort, is not something I can appreciate. (21/04/2011)

The nonsensically edited first half, which doesn't let a single scene resonate, battles with the beautifully sprawling second half that pushes the limits of the widescreen camera to the limit. This takes points off Weir's film in the final rating despite the fact that he manages to introduce his characters using only a few words and make you like them without dramatizing the scene in any drastic way; he makes do with great actors, a few frostbite marks, and swollen lips from dryness. (13/10/2011)

Peter Weir light. The overall impression is not that powerful, but the film offers a lot of unforgettable details. You will enjoy getting to know different characters and the importance of the positive synergy of their natures and abilities for achieving a common goal – survival and freedom. The Way Back features a well-chosen cast, subtle and intelligent humor, and a slow pace with just a few dramatic moments. Do not expect big things. Watch and listen. You’ll be satisfied with having learned something, and the characters will remain in your memory. (01/05/2011)

Maybe a little watered down, but The Way Back is worth seeing if only for the wonderful landscapes. Top notch acting performances, Colin Farrell rules as the thief Valka and Saoirse Ronan is one of the most talented young actresses right now (and Irena reminds me of someone I know). Weir is usually a great director, but I think that this didn’t come off one hundred percent. But even so, it’s very high above average. And Dallowitz’s music is delightful. That sweater. Did your granny knit it for you? (08/04/2011)

Back from Siberia. Let’s go, they said. And so they walked and walked... However, Weir didn’t realize that without a good screenplay this wouldn’t gain much pace as a drama and that it probably just shuffle along. See, this is an unworthy substitute for Seven Years in Tibet and As Far as My Feet Will Carry Me (even more so since it’s made up, however Papillon showed that isn’t always necessarily bad). Otherwise, it’s too bad that those two adaptations escaped him (doubly so, because then they wouldn’t have been badly-made movies). And nobody knows how to draw you in like Peter Weir. It felt like I was tramping that interminable trail myself (meant in a good way), I felt what the characters felt at every moment, I was there. So from my point of view enjoyed and endured, and therefore it’s outstanding. (14/04/2011)