Carlito's Way

One of the best gangster films ever made, a stellar piece by Brian De Palma, with an outstanding performance by Al Pacino in the lead role. It's the story of a man with immense willpower to change his life, but unable to change his surroundings. Overall impression: 95%. (15/06/2006)

A great old-school gangster movie where Pacino once again gives his best. His Carlito walks the line between a principled cool guy and a cold-blooded killer, so you just have to fall in love with him. Already the opening monologue grabs you by the heart. Slick and slimy Sean Penn was also great, and I now know who the model was for Ken Rosenberg from GTA: Vice City. De Palma plays with the camera, as is his tradition, especially in the final chase scene, which only confirms his directorial skills. (12/06/2009)

One of the few gangster movies that I’ve really liked. This time the protagonist is not an insufferable arrogant criminal, but the likeable and honourable Al Pacino, someone you can root for. That’s what I miss in other similar movies and the reason why I don’t like them in general. I didn’t have this problem with Carlito’s Way and I was able to truly enjoy this good quality film. Sean Penn delivers a superb performance, I didn’t recognise him at first. (04/09/2009)

A very impressively and somewhat unconventionally made gangster film with the excellent Al Pacino and Penn, Brian de Palma shoots it precisely and uncompromisingly. Carlito, even though he is (was) actually a dirty drug dealer, has his street tough principles that he can't let go of, wins back his love, and wants to make his living hiring out cars. But his path goes in many directions... The character of Carlito provides a fairly comprehensive character analysis of the decent and principled gangster, and Al Pacino is simply superb in his role. (16/06/2009)

After a second screening, I’m giving a full rating to this great gangster flick, with De Palma in full force. While Montana was a perfectly relatable character in Scarface, you simply have to root for the old school Carlito Brigante, with his street morals, even though he was certainly no saint thanks to his drug past. De Palma's ability to tell a compelling story while captivating with his directorial ideas is evident in the first dramatic scene in the billiard room. The final fifteen minutes escalate incredibly, and the scene of the ambulance ride with the badly wounded Carlito and his gaze on the advertising poster of the "road to paradise", accompanied by a melancholic song, is beautifully sad and uplifting at the same time. (14/07/2006)