Carlito's Way

“Sorry boys, all the stitches in the world can't sew me together again. Lay down... lay down. Gonna stretch me out in Fernandez funeral home on Hun and Ninth street. Always knew I'd make a stop there, but a lot later than a whole gang of people thought... Last of the Moh-Ricans... well maybe not the last. Gail's gonna be a good mom... New improved Carlito Brigante... Hope she uses the money to get out. No room in this city for big hearts like hers... Sorry baby, I tried the best I could, honest... Can't come with me on this trip, Loaf. Getting the shakes now, last call for drinks, bars closing down... Sun's out, where are we going for breakfast? Don't wanna go far. Rough night, tired baby... Tired....” One of the greatest mafia movies of all time. (26/10/2006)

After a second screening, I’m giving a full rating to this great gangster flick, with De Palma in full force. While Montana was a perfectly relatable character in Scarface, you simply have to root for the old school Carlito Brigante, with his street morals, even though he was certainly no saint thanks to his drug past. De Palma's ability to tell a compelling story while captivating with his directorial ideas is evident in the first dramatic scene in the billiard room. The final fifteen minutes escalate incredibly, and the scene of the ambulance ride with the badly wounded Carlito and his gaze on the advertising poster of the "road to paradise", accompanied by a melancholic song, is beautifully sad and uplifting at the same time. (14/07/2006)

One of the few gangster movies that I’ve really liked. This time the protagonist is not an insufferable arrogant criminal, but the likeable and honourable Al Pacino, someone you can root for. That’s what I miss in other similar movies and the reason why I don’t like them in general. I didn’t have this problem with Carlito’s Way and I was able to truly enjoy this good quality film. Sean Penn delivers a superb performance, I didn’t recognise him at first. (04/09/2009)

Absolutely the best gangster film I've ever seen (and I've thoroughly enjoyed both Coppola and Scorsese). A film in which there is not a single extra scene, not a single shot is self-serving and everything fits together. Sean Penn's transformation is fascinating, but of course it's Al Pacino who gets all the attention. I maintain that Carlito Brigante is his best role. Tony Montana in Scarface was an asshole - and yet everyone was rooting for him. So with Carlito, who just got out of prison and wants nothing to do with the past, it must be the same. Unfortunately for this Puerto Rican, nothing is going nearly as well as he would like. Brian de Palma is in top form here, the final fifteen minutes at the "station" is unparalleled in the film world, and a thumbs up is also in order for Patrick Doyle's score. All I have to do is listen it on its own and my eyes get weirdly moist... (03/10/2007)

De Palma has never been so stylish, captivating, or good. The director's best film is a precise contrast to Scarface, Carlito is unlike Montana, he is an honest guy who doesn't go from innocence to corruption, but exactly the opposite, he tries to dig himself out of the mud and start a new life. Thanks to Pacino's performance, this battle with fate is a fascinating solo performance with a sinister atmosphere and a story full of deceitful practices and betrayals. During the final chase, I was struggling to catch my breath and losing my nerves after the previous experiences. Sometimes problems come on their own. And that paradise can be so unbearably far away... (18/07/2007)