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A television film crew, documenting the night shift of a Barcelona fire brigade, get much more than they bargained for when they attend an apparently routine call-out. Upon arrival at an inner city apartment, the firefighters are viciously attacked by the elderly female occupant, who appears to be in the throes of some sort of viral infection. Before long, the virus has taken hold of the entire building, which is cordoned off by the authorities. Trapped inside, the television crew - using their cameras to capture the events as they unfold - and the other remaining survivors find themselves pitched into a nightmare of unimaginable proportions. (Arrow Films)

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Reviews (10)

DaViD´82 

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English If it weren’t for the ending in the secret room, my satisfaction would be almost boundless. Not because the finale in the attic is bad, but I didn’t think it fitted with what came before it at all. Simply the first hour seems out of place with the final fifteen minutes, and vice versa. But otherwise, everything is as it should be. Atmosphere cuttable by knife, ideas and ideal pace and it’s punchy and effective like an attack by Barça FC. I will definitely have to think hard about where to stay in Barcelona this time round. One thing I know for sure, I won’t stay in an old tenement block under any circumstances. ()

Isherwood 

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English An intense horror inferno in which the directors hit the viewer with such vigor that you won't care about the questionable handheld camera - even though it has a strong defense for being there given that it’s part of a TV show where journalists want to film everything. Knowing that there’s not much new you can do with zombies, the film brings an excellent group of characters to the scene, who crystalize in the calm opening so that you can cheer them on, tooth and nail, in the final inferno. The main character is a decent character and I realized that I haven't worried about anyone in a movie as much as I did about her in a long time. The few shocking moments (the fall down the stairs, the little girl with her mother) and the entire ending, starting with the entrance to the attic, is a chapter of its own, for which I would gild the filmmakers' hands. I’d have to look far back in time to find SUCH a quality horror film. ()

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J*A*S*M 

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English This movie is awesome! It’s been long since a horror film pulled me into the story in such way that I felt scared. REC is probably the best and most original zombie flick I’ve even seen and far above all the other films shot with a “handheld camera”. Unlike Blair Witch, it never gets boring (really, things move at full steam from beginning to end, there isn’t a single quiet moment), the characters are very believable in their fear, terror and ignorance, and their behaviour is logical (unlike Cloverfield). The old house and the fact that danger can lurk behind every door generate an amazing atmosphere that is best enjoyed watching the film alone and in the dark. I now must correct my ranking of favourite horror movies. Wholeheartedly recommended. ()

D.Moore 

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English They told me I was going to be scared, and they were right. At night and with headphones on my ears, nothing was more believable for me than that frantic panic that gradually increased in [Rec], until finally erupting to the fullest. All this performed by unknown actors and shot by a TV camera... The zombie horror according to the proven model made it even more intense than I expected. ()

novoten 

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English Although I'm glad that the "randomly filmed unorganized horror" format still works great, this time it might have been a bit too much for me. While I was willing to hold my breath for Blair Witch and cower in fear for Cloverfield, [Rec] not only failed to make me identify with anyone (killing the reporter with her eternal "Keep filming! Film everything!") but the extra experience is not about atmosphere and escalating tension, but rather about when there's a moment that stops my heart and makes my ears explode. And even though those moments are really deadly, I need much more satisfaction than that. 50% ()

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