Scarface

De Palma's films are best seen in their original form and on the big screen because otherwise, they lose much of their power. This new Scarface should be seen mainly as the ultimate homage to Howard Hawks, James Cagney, and all the tough guys from the original world of classic Hollywood gangster films. And if we get the added opportunity to feast on Michelle Pfeiffer's bony junkie character, who built her entire career on this film and closed the door on Grease 2, I have nothing to complain about. (09/02/2010)

Oliver Stone and director Brian De Palma turned Howard Hawks' original, straightforward gangster film into a grand masterpiece and populated it with well-developed characters. Unfortunately, they also heavily paid the price of the time, dictated by President Jimmy Carter's anti-communist policies. Tony Montana, a refugee from Cuba under the rule of Fidel Castro, became a symbol of anti-communist resistance, impressing the people who worship the red and white stripes with white stars on a blue background. But anyone who can overlook this dated aspect from the creators will enjoy this impressively crafted "journey to the top." Stone manages to avoid the "godfather" portrayal of the characters, where we can already partially guess the transformation of the "good guys" into the "bad guys." Here, no one can ever be certain whether someone will change and, more importantly, why. The most extensive and problematic development is that of Tony Montana himself, played by Al Pacino, on whom Stone reflects the influence of the most primitive contemporary factors, such as drugs or money. Brian De Palma approached it as a stylized journey, in which even the most brutal violence is necessary (as evidenced by the chainsaw scene and the ending). So as a whole, the film feels like a grand and comprehensive fresco, yet it is capable of delving into the most intricate details. While Scarface cannot be classified as one of the possible definitions of the gangster genre, it can certainly be considered one of its pillars, which is certainly no small feat. (24/07/2005)

I still can’t fully understand the massive popularity of gangster movies. They force the viewer to sympathise with arrogant (and often incompetent) criminals that make their profession look like the coolest thing in the world. This is a behaviour I can’t stand in any form and that’s why these films leave me underwhelmed, and Scarface is no exception. The three star rating, however, is quite strong. The shootout in the end is awesome. (16/06/2009)

I never thought I'd be disappointed with a De Palma film starring Al Pacino. The story didn't impress me much overall, I've seen the same thing many times before in better execution (thanks Scorsese). It had a decent start, but then the almost three-hour-long probe into the life of a gangster stopped entertaining me and I didn't care what happened to the main characters. Emotionally empty, there is no possibility of even a small degree of connection and everything is marred by the strange final carnage. The final impression is one of great dejection and the certainty that I won't watch it a second time, despite the great Al Pacino and his impeccable Spanish accent. (20/09/2003)

I saw Scarface years ago, but even though I can vividly recall many details from the distant past, I didn't dare to review this film because it didn't really stand out to me. Now I have seen it for the second time and I have to admit that, considering the high ratings from fans, it brought me great disappointment. Brian De Palma made one of my favorite gangster films, Carlito's Way, but this time the story of a Cuban criminal felt very dragged out, the main character uncharismatic, and the ending of the film is simply and plainly stupid. The whole final battle for the luxurious villa is like something from a very bad action movie. Michelle Pfeiffer is indeed beautiful, but she doesn't have much room to act, Al Pacino does his best, but this time he seems to be overacting, and most importantly, there's quite a bit of filler in the film. Perhaps the only thing that pleased me was the confrontation with the Colombian gang in the opening part. Emotionally, I felt completely indifferent about the heroes and anti-heroes. Overall impression: 45%. (22/11/2009)