Scarface

While I was excited during the escalating start (the scene with the chainsaw is full of tension and action), the unremarkable and gradually intensifying ending strongly began to annoy me due to De Palma's directorial style filled with static shots against a background of "roaring" music. Pacino was, of course, amazing, I believed every gesture from him from the first to the last (although I was annoyed that I couldn't really identify with his gangster character), and I probably can't help but admire him, but honestly, the other actors, including Michelle Pfeiffer, are not worth mentioning. Considering my expectations, the final feelings after watching the film are almost negative, because the famous Scarface is only a predictably solid average in terms of plot. (15/09/2006)

I saw Scarface years ago, but even though I can vividly recall many details from the distant past, I didn't dare to review this film because it didn't really stand out to me. Now I have seen it for the second time and I have to admit that, considering the high ratings from fans, it brought me great disappointment. Brian De Palma made one of my favorite gangster films, Carlito's Way, but this time the story of a Cuban criminal felt very dragged out, the main character uncharismatic, and the ending of the film is simply and plainly stupid. The whole final battle for the luxurious villa is like something from a very bad action movie. Michelle Pfeiffer is indeed beautiful, but she doesn't have much room to act, Al Pacino does his best, but this time he seems to be overacting, and most importantly, there's quite a bit of filler in the film. Perhaps the only thing that pleased me was the confrontation with the Colombian gang in the opening part. Emotionally, I felt completely indifferent about the heroes and anti-heroes. Overall impression: 45%. (22/11/2009)

This film has many deaf spots where the editor’s scissors should have been involved to ruthlessly shorten it. Brian De Palma knows how to create an atmosphere, but he can't maintain the pace. A big credit goes to the actors. Al Pacino is unforgettable and practically carries the whole film on his shoulders. With his Spanish accent and sneering face, he captures attention for the entire 170 minutes. (28/11/2004)

Oliver Stone and director Brian De Palma turned Howard Hawks' original, straightforward gangster film into a grand masterpiece and populated it with well-developed characters. Unfortunately, they also heavily paid the price of the time, dictated by President Jimmy Carter's anti-communist policies. Tony Montana, a refugee from Cuba under the rule of Fidel Castro, became a symbol of anti-communist resistance, impressing the people who worship the red and white stripes with white stars on a blue background. But anyone who can overlook this dated aspect from the creators will enjoy this impressively crafted "journey to the top." Stone manages to avoid the "godfather" portrayal of the characters, where we can already partially guess the transformation of the "good guys" into the "bad guys." Here, no one can ever be certain whether someone will change and, more importantly, why. The most extensive and problematic development is that of Tony Montana himself, played by Al Pacino, on whom Stone reflects the influence of the most primitive contemporary factors, such as drugs or money. Brian De Palma approached it as a stylized journey, in which even the most brutal violence is necessary (as evidenced by the chainsaw scene and the ending). So as a whole, the film feels like a grand and comprehensive fresco, yet it is capable of delving into the most intricate details. While Scarface cannot be classified as one of the possible definitions of the gangster genre, it can certainly be considered one of its pillars, which is certainly no small feat. (24/07/2005)

De Palma's films are best seen in their original form and on the big screen because otherwise, they lose much of their power. This new Scarface should be seen mainly as the ultimate homage to Howard Hawks, James Cagney, and all the tough guys from the original world of classic Hollywood gangster films. And if we get the added opportunity to feast on Michelle Pfeiffer's bony junkie character, who built her entire career on this film and closed the door on Grease 2, I have nothing to complain about. (09/02/2010)