Slumdog Millionaire

Danny Boyle got rid of Alex Garland and brought a cheap fairy tale to the West, exactly according to the Bollywood model. Its aesthetics of dirty slums and the search for happiness in it obviously earn touching moments with the audience, standing applause, and gilded statuettes. Unfortunately, to me, it smells of cheap calculation, which is only kept afloat by the fantastic passage with the little kids, which is funny and sad, and above all real, which cannot be said about the rest. It’s not that I don't appreciate the effort, but I yawned through the efforts of this hypocritical world - the visuals are like one of Tony Scott's Mexican trips and the good music (Boyle’s trademark) is nowhere to be found. I understand the general enthusiasm, I just don't share it. (14/02/2009)

A Brit-Bollywood remake of the Czech fairytale movie O chytrém Honzovi (= Clever Jack). This could be called Clever Jamal or How a Poor Guy with Common Sense Found Happiness and it is extremely good and enlightening. But didn’t it bend the truth whenever it could (mainly in the live transmissions) for the crude purpose of wringing your heart strings? Yes, but who cares in a fairytale, huh kids? P.S.: And isn’t the book better than the movie? No, it’s not. Because Swarup’s work is something completely different. Some black humor, cynicism and a message that is the exact opposite of Boyle’s ever so sweet, naive candy cane. And I like that kind of thing more than fairytales... (05/01/2009)

A charming film with an amazing atmosphere that warms the heart and caresses the soul. I don’t think the comparisons with City of God are that appropriate, even though they are logical. Whereas City of God is a cold and cumbersome construct without personality, Slumdog Millionaire is a warm, viewer friendly and, above all, brisk fairytale that doesn’t have any big message, but it’s all the more honest because of that. Danny Boyle has proven many times that he’s a visual wizard, but now he delivers a perfect fusion of images and music. Basically, in every scene with an important song all I could do was watch the screen with admiration and amazement – so many ideas and tricks is not something you see every day. I don’t think it’s a worthy best film of the year, but the direction really does deserve an award. (30/12/2008)

Inexact celluloid carousel of life. Crime, fate, tension and personal drama. And above all, a cautious love story, which is precisely the decisive factor that separates Millionaire from other biographical stories. Accompanied by a soundtrack on the verge of dynamic Boyle style and a fascinating orchestra, it becomes clear that the audience needs "human stories". Thank goodness for that. (31/12/2008)

Slumdog Millionaire is essentially the new Crouching Tiger, Hidden Dragon. It will be just as influential. It is a love story from an exotic corner of the world, which the ordinary viewer would otherwise never see, told in a universal language. And the Indians will try to convince you (as the Chinese tried to do at the time) that they have been making such films for decades. No, they haven’t. Someone had to come from abroad and take out their Western European lens. Slumdog Millionaire is not a Bollywood film, but a firework-like celebration of Bollywood as a film culture with all its romanticism. In its beautiful love story, Slumdog Millionaire fully utilizes the splendors and miseries of the Indian microcosm, thus making it attractive for the audience in an imaginative and fresh way. It is a small and unobtrusive film gem that shines more than any Los Angeles jewelry store where Benjamin Button goes shopping. Slumdog Millionaire is a movie celebrating life, faith and positive thinking; a movie that wasn’t made to become the award-winning film of the year... and that is why it deserves it. Nowadays this film is a small miracle. And Danny Boyle is a god. P.S: Jen Lopez and Rosario Dawson might have Freida Pinto’s features but not her eyes. No Hollywood actress has Freida Pinto’s eyes... (20/02/2009)