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Fantasy adventure directed by Terry Gilliam. Christopher Plummer stars as Dr Parnassus, leader of the extraordinary Imaginarium: a travelling theatre where members of the audience are given the irresistible opportunity to go beyond reality by means of a magical mirror and explore the limitless realms of their imaginations. But despite his amazing gift for guiding the imaginations of others, Parnassus harbours a dark secret: years before he made a pact with the devil in order to buy himself immortality. When the devil appears to collect his payment - Parnassus's beautiful 16-year-old daughter Valentina (Lily Cole) - Parnassus and his troupe, now joined by the mysterious shape-shifting Tony (variously portrayed by Heath Ledger, in his last ever performance, Johnny Depp, Jude Law and Colin Farrell), embark on a wild and surreal journey through parallel worlds to save the girl and undo the mistakes of the past. (Lionsgate Home Entertainment)

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Reviews (11)

3DD!3 

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English Heath Ledger was resurrected to steal this his last movie. Against all odds, Gilliam successfully managed to bring the picture to a successful conclusion. Not completely first-class, but very good all the same. His imagination works on overdrive and I can’t help thinking that Parnassus is actually personification of Gilliam himself who time and again makes a bet with the devil about whether he will be able to finish his next story. The special effects, although not completely perfect, are spectacular and depict stuff I personally like to see in movies (temple carved into stone in the shape of Buddha sitting on some elephants, jellyfish flying in space, well who could resist that?). They nicely contrast with quite realistically depicted period London full of drunks and Russian mafia ;-). Heath’s stand-ins are incorporated really well into the movie and don’t interrupt its flow in any way. Even though “flow" is not exactly the right word because here and there it falls apart in Gilliam’s hands. Who knows if he really had managed shoot all of the scenes with Ledger that he needed. Don't believe everything you read. Especially “The Mirror". ()

Isherwood 

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English It's Gilliam's full-field fantasy that made a virtue out of a necessity (Depp, Law, Farrell), and while there’s really nothing to fault it for, it's not something absolutely worth loving. Rather, it’s "just" a marionette adorned with colorful ribbons in the hands of an aging yet solid puppeteer. 4 ½. ()

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kaylin 

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English I have one unpleasant memory from the film "Imaginarium of Doctor Parnassus", which is why I didn't see Johnny Depp in the movie. Yes, I mainly went to see the film because of Heath, who did not disappoint. I like how Gilliam dealt with the unfortunate situation. All the actors did incredibly well, and visually the film is unbelievably interesting, but that was to be expected from Gilliam. The screenplay does lag a little, but you go into it knowing that it will be more of an artistic experience rather than a popcorn flick. ()

Remedy 

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English Hats off to Terry Gilliam who, despite his status as perpetual underdog, managed to deal with the death of Heath Ledger in The Imaginarium of Doctor Parnassus and cast 3 excellent actors in his place. The Imaginarium of Doctor Parnassus is actually sort of a fairy tale, serving up a visual feast on a diamond platter that I couldn't get enough of :)) Something of a Faustian theme, something of a Monty Python theme, and of course Gilliam's unmistakable signature with his incredible directorial sense – all of this is what his latest effort has so far. It has to be said that 4 stars in this case is a rating of a slightly different character – I don't want to go into greater detail about it, so I'll just say that these are simply Gilliam stars, to which I ascribe greater value than any "fives".:)) ()

novoten 

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English There is nothing against heating in the wide-ranging imagination, but the story must not be forgotten. Terry Gilliam stubbornly creates "in his own way" to the point where his regularly repeated formula for the end begins to slowly but surely irritate me against the majority of usual rules. The inventive first hour and the likable main characters against the backdrop of the right mystical plot are wasted when it starts to get entangled, change sides, and overturn archetypes. I can understand why such surprises are successful with the audience, but a great cinematic experience did not occur on my side, despite multiple acting performances by Ledger and his alter-ego or the beauty of Lily Cole. ()

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