Elite Squad

Elite Squad wants to shock and awe, but it lacks the better expressive devices, emotion and directorial virtuosity of the makers of City of God – which it so closely resembles at first glance with its volatile cinematography, raw tone and choppy editing. Unfortunately, the story is about nothing and the characters don't win you over one bit, after an hour you're actually just waiting for everyone to get shot in a shouted and eclectic jumble to keep the peace. (02/03/2022)

I won't deny that in the first half of the film I was still about two minutes ahead of the scene playing out and it was getting on my nerves a bit. The cinematography was confusing with its disjointedness, the frantic and not-so-skillfully strung together editing, the nonsensical voiceover, the confused characters and timelines, and especially the lack of any memorable scene sure did their part. However, in the second half there is brilliant, severely incorrect, brutal, and escalating violence. (02/05/2011)

I did not find any exorbitant political incorrectness in Elite Squad. The film provides no instant solutions to a sad situation, nothing gives hope, and if it does provide something, then it is a rather appalling picture of decaying justice and its humiliated servants. Personally, I was quite convinced by invectives toward left-wing intellectuals from good families, and I was able to identify with Captain Nascimento's views, although the depicted effects of the Crusades on justice evoke appalling feelings. What I really like about the film and find healthily provocative is the fact that the operation in the slums is initiated by the Pope's visit. This strange virtual detachment of civilization from the devastated world of slums and the effort to seek in it a kind of nobility of poverty contrasts well with the aspect of the glued and formatted "black" brains from BOPE. We can argue about where the truth is, but the fact remains that Padilha does not offer any. And if it is on the side of brutality of the men of the law, from my point of view, it does so because a) I am able to identify with it, b) even if I did not identify with it, it is still an aspect I want to know about. BTW, the film is technically brilliant. (14/10/2009)

Considerably weaker than City of God, but still a drama of immense power. The worst is that we are forced to watch hell on earth through the eyes of the cruellest policeman ever, whose actions become increasingly disgusting as the story progresses, but at the same time we understand more and more that there is no other way. Whether it's the torture and shooting of dealers or the incredibly tough military training, which at one point is really hard to follow, in any case, José Padilha has achieved his goal of presenting us with a society so bleakly devastated and corrupted on both sides of the law that I will never forget it. (28/08/2012)

Rio de Janeiro isn’t just a sunny city with Jesus standing on a hill. The slums are overflowing with drugs (and trash), and cops’ pockets with money. Because the men from BOPE are here, doing what is necessary, using whatever means necessary. The direction is marvelous, visually inventive and the screenplay develops on several ideas with huge social implications at once. Whether suffocation by plastic bag or fighting against the system (while still keeping your job), it always hits a nerve. So where would you like to go on holiday? To Rio? (29/05/2013)