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Handsome, unflappable U.S. Congressman Stephen Collins (Ben Affleck) is the future of his political party: an honourable appointee who serves as the chairman of a committee overseeing defence spending. All eyes are upon the rising star to be his party's contender for the upcoming presidential race, until his research assistant/mistress is brutally murdered and buried secrets come tumbling out. Cal McCaffrey (Russel Crowe) has the dubious fortune of both an old friendship with Collins and a ruthless editor, Cameron (Oscar winner Helen Mirren), who has assigned him to investigate. As he and partner Della (Rachel McAdams) try to uncover the killer's identity, McCaffrey steps into a cover-up that threatens to shake the nation's power structures. And in a town of spin-doctors and wealthy politicians, he will discover one truth: when billions are at stake, no one's integrity, love or life is ever safe. (Universal Pictures UK)

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Reviews (11)

Marigold 

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English Very nice directing and good actors, but the script hardly traverses the three levels of the story: thriller, political-journalistic moralizing and personal drama. The introduction is excellent, full of the unique and very rhythmic direction by Macdonald, but then everything somehow shatters, shreds, evaporates... the legible transnational conspiracy tries to compare with the more serious mental matrix, but it is tedious and quite protracted. The final twists may come as a surprise, but they do not fix the shoddy impression from the previous storytelling. In the end, State of Play is neither an original thriller nor a film that would appeal to us with any message. It has a little bit of both and not enough of either. Nevertheless, mainly thanks to the directing and the actors, it holds up more than honorably. [70%] ()

Isherwood 

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English If you can already guess what’s going to happen from the trailer, something is wrong. State of Play is undoubtedly an excellent thriller. This is especially true for those of us who like conspiracy theories and enjoy unraveling them together with the film's characters. Unfortunately, the same doesn’t apply to those viewers who have already watched many films like this. Kevin MacDonald tells the story cleverly and very ingeniously lays out the clues, and it's great fun to watch the hard-working actors looking for individual crumbs out of the mysterious forest. Yet, somehow, the entire plot is put together without any stronger vigor or a stronger authorial decal. As a TV craftsman for HBO, he would score points with this film, but in an A-movie thriller, he loses out because of the clichés. I’ll give the film a net 70%, but I just can't round it up to four stars. ()

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J*A*S*M 

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English A solid political thriller with great actors, good direction, but a problematic script that results in several characters and scenes feeling empty, and a resolution that is too concise, to the point that after one viewing I’m not entirely sure that everything fits properly. That wouldn’t be a problem in a sci-fi mystery movie, but in a political thriller, which should rely primarily on the plot turning flawlessly and the effect of the final twist, this is a pretty serious shortcoming. 6+/10 ()

lamps 

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English Take out Affleck's dull, inarticulate expression and Helen Mirren's superfluous character of a principled journalist, and you are left with the best you could wish for in a conspiracy political thriller: a great plot, a dense atmosphere sculpted by tons of political dirt and forbidden machinations, a terrific score, and four or five excellent actors who we trust to live and breathe their characters. But be warned, it's still nothing but highly stylized and cleverly twisted Hollywood entertainment with an intrepid Crowe and an attractive McAdams, where the spectacular pursuit of justice far outweighs the honest themes of classic conspiracy films. But you have to get used to it, because you can't do better than this in the genre today – and personally I’m not complaining. 80% ()

POMO 

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English Too bad that the screenwriters focused so much on the journalist plot, which is not that important for the audience. The editor-in-chief character, played by Helen Mirren, and her effort to publish the best article just slows the film down. The viewer is not interested in newspapers, but in revealing secrets, developing relationships between superbly played characters and the threats to their lives in a dangerous high-stakes political game. Wouldn’t Russell Crowe be enough for the journalism plot? Otherwise, however, State of Play is a very decent film, Ben Affleck is fine and the emotions between Crowe and Robin Wright Penn are completely believable. ()

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