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Carl Fredricksen is part rascal, part dreamer, and ready for his last chance at high-flying excitement. Tying thousands of balloons to his house, he sets off to the lost world of his childhood dreams. With an overeager Wilderness Explorer named Russell and Dug, a dog who can speak, as companions, Carl realises that sometimes life’s biggest adventures aren’t the ones you set out looking for. (Disney / Buena Vista)

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J*A*S*M 

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English An animated flick that milks the emotions of the viewer with the same ease as the best live action dramas. In the moments when this happens, the simplicity and lack of originality of the story is a shame, it pops the balloons and brings down this bitter-funny gem, not in any drastic way, but enough to make it lose one star. Otherwise, I agree that the first 10 minutes are probably the best sequence I’ve ever seen in an animated film. ()

D.Moore 

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English When I get bored of Pixar movies, you better shoot me as a precaution - I probably won't be okay, and who knows, it might even be contagious! Up is a near-perfect thing - near-perfect because I was missing two little things in it. Firstly, a scene, even a very short one, in which you could see how Carl prepared all those balloons, inflated them and so on, and then the building of the tent. Otherwise, it amounts to great satisfaction. The senior walker vs. sword fight brought me to tears :-) ()

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DaViD´82 

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English Gran Torino meets Indy in escapades à la Pixar. Some parts are great, but altogether it seems so inconsistent that it’s bothering. However, Carl is a really nice guy and his only blemish is that he’s not dubbed by Clint. The real “hero" and the dog do their CGI best to make this movie work. And they had to try hard, because this movie was moving alarmingly near to the shameful average (quite normal for Pixar). ()

3DD!3 

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English To begin with a brief thought: When did the movie theater turn into a canteen? Munch, gobble, slurp… Up is a multigenerational picture that will be enjoyed by everyone. Super action scenes, a romance of the highest caliber, and a breathtaking adventure that, in the style of old exploration films, throws one into an unknown, dangerous yet beautiful world. The storyline forms an incredible link between several lives. A pensioner who wants to complete his plan (to move) at any cost, a hunter (another pensioner) who is pursuing a trophy that constantly eludes him, a lonely boy who wants to help (pensioners) and mothers caring for their children. Add a flying house, talking dogs, a mischievous bird, and this merry-go-round of a movie becomes a whole lot of fun. ()

POMO 

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English There are Madagascar (or Ice Age) adventures, and then there are South American adventures. The first ones rely on dozens of funny characters, put together by a weak storyline about family values. The South American adventure contains only one funny character and the movie tells a story of wasted opportunities and fulfilling one’s childhood dreams (which may also have a dark side — a cleverly presented difference between a child’s and adult’s perceptions). Up is an animated movie that can only be fully appreciated by adult viewers (kids will definitely have more fun watching the Madagascar series). The highlight of the movie is the opening sequence, which briefly summarizes the life of the main character from his childhood to old age. It’s pure beauty. If the creators said “sod the kids” (which they obviously couldn’t do :)) and went on with this type of storytelling, this could have been my all-time favorite animated movie. ()

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