Mr. Nobody

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In 2092, the oldest man in the world is 118 year old Nemo (Jared Leto). He is on his death bed reflecting on the three main loves of his life to a reporter. There was his great but taboo love Anna (Diane Kruger); Elise (Sarah Polley), whom a relationship was developed with out of circumstance; and Jean (Linh Dan Pham), who he shared an impassionate life of luxury with. However, when these stories intersect and overlap, the reporter begins to question if any of these lives and stories are real or just a figment of his old imagination. (Optimum Home Entertainment)

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Reviews (9)

Kaka 

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English I didn't quite understand what the poet meant by that. It is extremely rich in expressive means, with plenty of imaginative scenes and ambiguous characters, quality performances, and dreamy atmosphere. It is similar to "Odyssean" works like Cloud Atlas, but it doesn’t work as well. ()

3DD!3 

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English A clever movie for average people? That’s what Chris Nolan is trying to do right now. Personally, I didn’t much like the director’s intention, but even I have to take my hat off to how he managed to combine dozens of inspirations into one functional whole. I had one story in my mind that Mr. Nobody draws on a lot (damn it!), but here they wrapped it in currently trendy sci-fi effects, but they left the fundamental basis and I was intrigued to see how they worked with the theme that I already saw somebody else wrestle with before. Quite interesting. And for those who didn’t understand how it ended. The answer to your question is... You choose. ()

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kaylin 

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English Interesting use of music, interesting scenes, good performances, and great ideas, but all within something that's just a patchwork of ideas, held together only because from the beginning you feel it's something important. It’s not. This is simply a game for the viewer that doesn't lead to a successful conclusion. ()

novoten 

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English I'm not surprised that Jaco van Dormael hasn't made and won't make another film on such a large scale. Despite the philosophical and conceptual attempt to transcend the universe, his monument is filled with the unique and intimate, endless power of joy and sorrow. The author must have poured his soul into both versions, because I haven't seen so many impactful encounters, embraces, farewells, or insights for a long time, each pushing the narrative and mood forward by a significant margin. It's not a perfect work, nor is it all-embracing; its length, especially in the director's cut, unnecessarily extends into places where nothing new is found. But there are so many electrifying connections in the right places that it is worth seeing for dreamers and cynics alike. ()

lamps 

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English From the very beginning, the film pretends to be so artsy and clever that it stumbles on its own feet as it progresses, and falls short in its attempt to captivate the viewer on several fronts at once. I can't deny, of course, that it's beautifully and originally shot, that Jared Leto is a phenomenal actor, and that all the amazing shots have something to them in the overall context, but other than that, the film, with its complex composition and constant interweaving of several storylines, completely messed with my head and spouted one question mark after another, it failed to awaken any other feelings in me, and its precise cynicism didn’t allow me to experience the story of the main characters in any deeper way, which was probably a necessity in this case. Maybe the strength of the film would affect me more with a second viewing, but to be honest I hardly have the courage to do that. ()

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