Plots(1)

Jon Hamm stars as Detective Tom Adkins, a devoted cop haunted by the unsolved disappearance of his young son eight years earlier. But when Adkins discovers the buried remains of a boy who was brutally murdered more than half a century ago, he becomes obsessed with investigating the long-forgotten crime. Is the 1958 mystery surrounding down-on-his-luck family man Matthew Wakefield (Josh Lucas) and his own abducted son linked in any way to Adkins tragedy? And even if Adkins can prove a connection, can he face the shocking truth about the killer? (official distributor synopsis)

(more)

Reviews (2)

3DD!3 

all reviews of this user

English A well-made drama that sucks you in. The story is dark, fairly realistic and mainly is a great idea. The two storylines, separated from each other by a chasm of 50 years, almost unbelievably blend into one. I really am pleased with this. Bring on more of this kind of modest small gem. ()

Kaka 

all reviews of this user

English This film is, unfortunately, rightfully slightly neglected and a bit on the back burner compared to well-known classics like Prisoners or Mystic River. It's about a mysterious murder, or the search for both the victim and the murderer in the present. But only about ten percent of it is set in the present, the rest is flashbacks. We don't learn from the story whether the main character's son was deliberately chosen by the killer to test his abilities or by accident, but it is through the investigation that the pieces of the killer's identity gradually reveal a much more complex and broader story than it first appears. Based on this, the film should be at least 120-130 minutes long to allow all the characters to stand out, because there are plenty of them. Unfortunately, only the main ones manage it, and a lot of digressions and side themes and motives remain unfinished or very abridged. The whole thing is bogged down by an ending that could have been heart-attack inducing but instead is cut down to a three-minute conversation with a clear outcome. Terrible shame about the work of the editors and the screenwriter who shat the bed at the end of the film. The potential for a chilling crime-drama was there and stories like this always find their audience. It's terrific anyway, if only for the rather sophisticated construction of the story, the ending of which I wanted to experience but much longer and more intensely. ()