John Carter

A cool and watchable fantasy snack. The great visual and sound effects, the captivating sets and an interesting alien setting greatly support a slightly routine story that can no longer be taken seriously these days. Taylor Kitsch is ok, but Jake Gyllenhaal could have been better. Otherwise, I can’t complain. the two hours passed like water, Lynn Collins has beautiful eyes, and John Carter boldly aspires to be not only the best popcorn movie of the year, but also the most visually enchanting spectacle since the lush and magical Prince of Persia. 75% (19/09/2012)

I resisted the John Carter phenomenon for many years, but the beauty of Dejah Thoris is immense, and in the Dynamite comics, it's also an enjoyable read. It was thus necessary for me to watch the film that was released for the 100th anniversary. The opening scenes, admittedly, are not great, and the introduction to the complex plot unfolding on several levels is not entirely successful. But once this predecessor to Superman and Star Wars rolls into one, it's awesome. The excitement of a pre-World War I future, the fascination with the unsuspected possibilities of craters on Mars - all these aspects are there for the taking and entice us. (27/06/2019)

A forgotten sixth-rate classic, whose excessively lukewarm reception from the audience showed that its time has long passed. And it's a damn shame, because the hero John Carter, the tough guy Kantos Kan, or my childhood love Dejah Thoris truly come to life on the big screen in all their beauty. The haphazardly cut timeframes scared me a bit in the first few dozen minutes, but once everything settles on Barsoom, the sides are divided and the jumping, slashing, and heroic speeches to the crowds begin, all becomes clear. A successful blockbuster takes place between two worlds, transforming the ancient cult into a spectacle full of lines, action, and very well-done moments (the battle cut with a flashback left me with my mouth wide open). We may not get a sequel, but one story for us adventure-seekers will remain. (12/03/2012)

John Carter was great. What’s brutal is that there are still some nutjobs in Hollywood who don’t mind drowning a quarter of a billion dollars in a movie. The important thing is that the director used this money to make such a perfect phantasmagoria, which in its own way even makes some sense. Sure, there’s much of objectively crazy nonsense, but in the context of such a fantasy movie it can be forgiven. I haven’t seen anything like this for a long time and I really enjoyed it. Also mainly because I really like such films, but they are terribly rare. The actors were great, the rendition absolutely perfect. What more to add? Maybe just the fact that I would like to see a sequel, but that’s probably quite unlikely. (09/01/2013)

A princess (from Mars) and I have been catapulted into a world inhabited by little green men, where they shoot with ray-guns and they have funny-looking dogs. Exactly as I had imagined. John Carter is pure pulp fiction, the type I grew up on (I read two books from the Carter series). Maybe it leans more toward being a fairytale, but the important thing is that the story is nicely predictable, easy to follow and entertaining. It was one of the first of its genre and finds it really difficult to come up with something original, but Stanton did a good job anyway. I didn’t have much trust in Taylor Kitsche before seeing this movie, but he surprised me, as did Lynn Collins and the greenies. The monsters didn’t have that Star Wars stamp on them and they certainly are no substitute but stand alone in their own right. Carter is passable as a piece of history. What a nice wedding it was. (19/03/2012)