Avengers Assemble

Yes, the story is sterile and stale, the emotions non-existent and the pace of the narrative is rather erratic, inflated at the end into a charmless presentation of risk-free superhero action. But it doesn't matter, The Avengers is still the chosen one, a film that represents the most basic Marvel idea of colourful comic book characters quite perfectly and surgically accurate. All the clichés are deliberate, skilfully adapted to build an adequately simple plot that best suits this kind of team-ups and that doesn't unnecessarily distract from its primary intention: the entertaining interaction between the diverse heroes, the development of their relationship and the careful interplay with previous (and of course future) instalments of the Marvel Universe. It’s a great COMIC-BOOK movie, with utterly likeable archetypal characters, a charismatic villain, and effects like something out a fan's wildest wet dreams. It doesn't play on civility like Nolan, it plays only for the devoted fans of Tony Stark, Captain America, Thor or the Hulk, and in a perfectly balanced and precise way, as if all those legendary books suddenly came to life and took to the streets of Manhattan, without any questions or delays. The actors are without exception excellent, with the cherry on top in the form of the incredibly sexy Scarlett, before whom, as an enemy I would have knelt down on the spot and desperately cried "Capture me, Lord, capture me!" :)) 90% (24/05/2012)

Undemanding, popcorn paint by numbers with clear contours which begin to turn pastel green only after they line up. The Avengers Assemble is quality craftsmanship which unfortunately pays dearly for having just routine action (the first “teaser" part is markedly better than the second) and zero “emotional involvement" of either the viewer or the characters. The whole thing rests on the shoulders of the Stark - Thor - Banner trio and the remaining characters are either a necessary evil (Capt. America) or there to make up numbers. And also a proper baddy is sorely lacking; Loki is outstanding, but he’s more an amusing stooge than an arch-villain. As far as Marvel team productions are concerned, the movie versions of X-Men play in a much higher league. (02/05/2012)

The Avengers are getting better. The disappointment of the movie theatre is slowly but surely fading thanks to the DVD, and the only problems I really have are with the character of Hawkeye (or rather, his wooden performance) and the fact that the film wants to be endlessly breathtaking at times while making fun of itself, which is a strange game I haven't yet bought into. (14/05/2012)

It wasn't until the final credits started rolling that I realized that many people's dreams had just come true. Such as the viewers who sensed from the end of the first Iron Man that this superhero gathering would be epic to the top floor of Stark Tower. Or Joss Whedon, who had been smiling under his (fully geeky) beard for so long until he brought us the essence of himself. And last but not least, all the Whedon fans who supported the creator as an unrivaled storyteller for many years. And then, in one of the most-watched movies of recent years, he proved them absolutely right. The Avengers has Stark's audacity, Cap's courage, Thor's rudeness, and Hulk's titanic power. And they mix everything into a cocktail that is almost impossible to drink in one go. Trying to catch all the quotes, breathtaking action scenes, and meticulously crafted details was simply impossible. It wasn't until the second viewing that I realized that Whedon had thoroughly played with his Marvel toy and then lent it to us, ordinary mortals. The fact that he created a perfectly cinematic comic book, nurturing it minute by minute like a mirror of the genre, is another matter altogether. (08/05/2012)

Next to Batman and Watchmen, probably the best comic book adaptation. A film full of fun, thrilling action, wit, polished dialogues, self-reflection, and a fantastic cast; everything a first-class blockbuster should have, and with an incredibly precise tuning of the individual ingredients. The last time something similarly perfect within its genre was seen in cinemas was 1996 when Ronald Emmerich directed Independence Day. (15/05/2012)