The Book of Eli

While having faith play the main role doesn’t bother me, I would have imagined it a little differently. I'm glad it wasn't just a simple-minded shooter, though. On the other hand, D. Washington was loaded with too much goodness. Not enough badass lines, cleverness, and conviction. But I still find it touching that he memorized the entire Bible. (20/04/2011)

It’s not as bad as they say. It has loads of ideas, the actors are great and the brothers in the director’s chair know how move the camera around the action in such that your eyes get an erotic massage at times, which makes the narrative weakness and author’s aimlessness all the more painful. The plot moves mechanically on a previously marked path, without ever developing the nature of a potentially interesting world, whose filth is lost in style, while the climax can’t deliver the punch that the mystery built around Denzel’s character would deserve. It’s watchable, but gratuitous AF. 60% (21/10/2018)

Superb Denzel in a solidly apocalyptic roaming movie. The Hughes brothers’ directing comes across a little abstract, but the world that Eli roams looks damn impressive. The action is really good, even if a little forced, to make sure we don’t get bored on the journey. Mila Kunis is cute with or without her sunglasses. And also San Francisco is one of my favorite cities and seeing it in that condition was worth it. (31/05/2010)

One of the most ridiculously WTF stupid things I’ve seen this year. The atmosphere is alright, and so are the performances, the problem is that I am not able to get over the twist, which is utterly pointless and pulled out of a (religious) ass, notwithstanding its outcome, which is just idiotic. The dialogues are toe curling (the Bible), Denzel fights better than Chuck Norris and The Book of Eli was an annoying film experiences. 30 % (31/05/2010)

A few knife fights and one bigger shootout do not make an action epic. And what's worse, one suspicious punchline and a few attempts at existential dialogues do not create a drama at all. The survival book stumbles from nowhere to nowhere, the actors meander precisely into their predictable boxes, and everything ends with one big question mark as to whether this is meant seriously. With a reasonable distance, it is still a weaker, disjointed nothingness that holds a few glimpses of post-apocalyptic atmosphere beyond the one-star threshold. (11/12/2010)