The Lone Ranger

An alternative to the Pirates of the Caribbean. Same director, same music, same Depp and, surprisingly, also same Helena… on the other hand the setting is different, which is good. I’m really glad that Johnny Depp agreed to play the Indian in this movie. He’ll probably play weirdoes to the end of his life, because from what I see, he’s really found himself in these characters. I went to see this movie to have fun, relax and enjoy a nice adventurous movie that will make me laugh but also put me in awe over some of its action scenes. The actions scenes here are a bit on the weaker side, because they reek of CGI something terrible, but I guess it couldn’t have been any other way. Despite this flaw, the action is good and the movie is enjoyable. As a Disney product, this movie met my expectations to the fullest. The 151 minutes flew by as a one-day trip around the country. And I must say that it was a joy to spend time watching this movie, turning my brain off and enjoying some decent fun. (07/07/2013)

Exotic and beautifully shot summer bollocks. Depp is a lot of fun and Hammer is alright, but neither of them, nor the cookie-cutter script are enough to keep us interested for almost two and a half hours. It's a breezy and brilliantly scored adventure for the whole family, but it's cold as a penguin’s butt inside and relies too heavily on the fact that we're still interested in Depp's peculiar pirate character – very little from Verbinski. A better 3* (28/11/2015)

It looked it’d be a real dud, but it’s watchable. Those who were thrilled by Pirates of the Caribbean or Indiana Jones and the Kingdom of Crystal Skull will certainly not be bored, as this film is similar both formally and aesthetically and in terms of the plot. It certainly has a unique mix of traditional Western elements (set design, costumes) perfectly matched in an excellent visual package (great effects, dynamic action scenes). The middle part of the film has are several redundant funny scenes and boring stretches, but William Fichtner and Tom Wilkinson are very entertaining, and the main duo of heroes is a classic. So, it’s fun though not impressive, and everyone knows how it will end from the beginning. Still a likable thing, though. (02/03/2014)

A multi-genre homage to a century of cinema? The purest western with the most classic vaudeville gags? Indeed. A big train robbery and easy girls that even Méliès couldn't make up. Or Hell on Wheels through the lens of a comic book hero and progress that you can't stop, even in 1933 (that's when they could play with labels to make Tonto a notorious savage). General Custer keeps his narcissist in check at all times, the ugliest Jane Eyre Ruth Wilson has grown up a bit, Armie Hammer is a worthy successor to the Lone Rangers (ever since the 1933 radio series, novels, comics, and more) and of course, Tom Wilkinson and Helena Bonham Carter are absolute classics. And Hans Zimmer isn't ashamed to cram the entire "William Tell Overture" and its finale into the soundtrack! (03/07/2013)

The Bruckheimer filters rather spoil the otherwise convincing western atmosphere served up to us so successfully by Verbinski. The struggle with this childish, sometimes infantile and senile (the narrator forgets to tell us all the details because he’s an old, crazy grampa) story is uphill. Good ideas here and there and the absolutely amazing train chase save the reputation of this movie. Hammer doesn’t stand out, Depp doesn’t disappoint and the only performance rally worth remembering is William Fichtner as an unscrupulous bad guy who laughs through his teeth. Zimmer’s music is again the tops and you can tell that he really enjoyed doing this movie. (07/10/2013)