The Lone Ranger
Directed by:
Gore VerbinskiCinematography:
Bojan BazelliComposer:
Hans ZimmerCast:
Johnny Depp, Armie Hammer, Tom Wilkinson, William Fichtner, Ruth Wilson, Helena Bonham Carter, James Badge Dale, Barry Pepper, James Frain, Leon Rippy (more)VOD (5)
Plots(1)
Native American Tonto (Johnny Depp) tells the story of how lawman John Reid (Armie Hammer) became the legendary, masked figure known as the Lone Ranger. Tonto first encounters Reid when captured outlaw Butch Cavendish (William Fichtner) escapes custody, aided by his gang. Joining a group of Texas Rangers that include his brother Dan (James Badge Dale), Reid chases the wanted men but becomes the sole survivor of an ambush attack. Disguising himself from his enemies, who believe him to be dead, the Lone Ranger forms an unlikely partnership with Tonto and together they fight for justice against Cavendish and power-hungry railroad tycoon Latham Cole (Tom Wilkinson). (Disney / Buena Vista)
(more)Videos (60)
Reviews (14)
A small big man smokes a hallucinogenic peace pipe with Pirates of the Caribbean and a mute grotesque. A movie that looks like it's being told by a senile crazy Indian... because it's being told by a senile crazy Indian who also likes to listen to himself talk. The middle passage is a little weak, but otherwise I had a great time. Verbinski sometimes drowns in beloved references, but his "meta-westerns" are smarter than most genre competitors. That guy is not Tonto.
()
The Bruckheimer filters rather spoil the otherwise convincing western atmosphere served up to us so successfully by Verbinski. The struggle with this childish, sometimes infantile and senile (the narrator forgets to tell us all the details because he’s an old, crazy grampa) story is uphill. Good ideas here and there and the absolutely amazing train chase save the reputation of this movie. Hammer doesn’t stand out, Depp doesn’t disappoint and the only performance rally worth remembering is William Fichtner as an unscrupulous bad guy who laughs through his teeth. Zimmer’s music is again the tops and you can tell that he really enjoyed doing this movie.
()
Exotic and beautifully shot summer bollocks. Depp is a lot of fun and Hammer is alright, but neither of them, nor the cookie-cutter script are enough to keep us interested for almost two and a half hours. It's a breezy and brilliantly scored adventure for the whole family, but it's cold as a penguin’s butt inside and relies too heavily on the fact that we're still interested in Depp's peculiar pirate character – very little from Verbinski. A better 3*
()
A multi-genre homage to a century of cinema? The purest western with the most classic vaudeville gags? Indeed. A big train robbery and easy girls that even Méliès couldn't make up. Or Hell on Wheels through the lens of a comic book hero and progress that you can't stop, even in 1933 (that's when they could play with labels to make Tonto a notorious savage). General Custer keeps his narcissist in check at all times, the ugliest Jane Eyre Ruth Wilson has grown up a bit, Armie Hammer is a worthy successor to the Lone Rangers (ever since the 1933 radio series, novels, comics, and more) and of course, Tom Wilkinson and Helena Bonham Carter are absolute classics. And Hans Zimmer isn't ashamed to cram the entire "William Tell Overture" and its finale into the soundtrack!
()
The most underrated blockbuster of the year. Admittedly uneven in pace, with occasional dullness in the middle passage and some forced humour courtesy of a goofy Depp, but otherwise full of playfulness, likeable exuberance, unprecedented production design and top-notch choreography in several action passages. And please, screw the fact that Depp is just recycling Jack Sparrow, I’m not going to deny excellent craftsmanship because of that.
()
Ads