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The narrative architect behind the Bourne flms, Tony Gilroy, returns to expand the Bourne universe once more in the next chapter of the thrilling action series. The Bourne Legacy introduces us to a new hero, Aaron Cross (Jeremy Renner), whose life-or-death stakes have been triggered by the events of the frst three flms. For The Bourne Legacy, Renner joins fellow series newcomers Rachel Weisz and Edward Norton, while franchise veterans Albert Finney, Joan Allen, David Strathairn and Scott Glenn reprise their roles. (Universal Pictures UK)

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kaylin 

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English When I was watching the movie "The Bourne Legacy", I was taken by surprise by something. It was boredom. I was bored for roughly the first half of the film. It's true that on one hand, it could have been due to tiredness, but on the other hand, I believe that the film itself is partly to blame. Lately, I have been tired, but the movie is partially about events happening at the same time as the events in the movies "The Bourne Identity" and "The Bourne Ultimatum". It's nice, they fit it quite well and they wanted to assure us that this is not a completely different film, but that there is a connection. So, it's not just using the good name for commercial purposes, but the continuity is immediately apparent. ()

Kaka 

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English The new Bourne is much more restrained and much less action-packed than I expected. The plus is that they managed to quite sophisticatedly integrate the plot of the new film into the older trilogy, so this "standalone" installment doesn't feel intrusive or contrived, especially considering that the story of Bourne and Cross is essentially unfolding in the same time period. The action is good, although there are far fewer hand-to-hand combat scenes, and overall the direction is much more subdued and minimalistic. The subplot about experiments on people (pills, etc.) is solid. The main character's motivation is good and Rachel Weisz’s performance is excellent. It's clear that Gilroy went smartly around it, he didn't want to pump the audience with even more sophisticated action, more pumped-up music, and faster pace. But to wrap the viewer around his finger with unexpected plot twists that sometimes shock with their force (the interrogation at Weisz's house) and sometimes pleasantly and reliably stick to the established tracks (chases, stunts). What bothered me the most was the complete absence of an ending and a clear indication that if Legacy is at least somewhat commercially successful, there will be a reset of the series. ()

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3DD!3 

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English Bourne without Bourne and a bit different. Less action and a more robust story are certainly assets. Jerry Renner is excellent, a much more talkative agent. His motivation (not to be dumb again) is a welcome change after the quest for the past. Rachel Weisz is really likeable, not the usual dumb girl part, and the much more believable “intro" to the love-story is also welcome. Ed Norton does a good job again. It’s obvious that this is just the beginning. The big punch-up is yet to come and I’ll be there. :) ()

Lima 

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English Very decent. Bourne's Legacy blends tastefully with the third part of the Bourne trilogy without parasitizing it. It suffers from a very lukewarm start, but from about the 30th minute onwards, action follows action and everything culminates in a half-hour continuous set-piece in the Philippines. Jeremy Renner stood with honour up to a possible comparison with Matt Damon. That said, I won't be looking forward to the next piece of this spy puzzle, the Bourne universe has been gnawed to the bone by this film. ()

Marigold 

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English The problem with the reference is not that it is badly filmed or coordinated, the problem is that the real Bourne reference does not go anywhere - Cross has only a loose relationship to the main storyline of the trilogy, and he himself does not bring any major themes and twists and the most interesting (i.e., the other destinies of Pamela Landy and her duel with the system) goes from "something bad will probably happen" to "something bad really has happened". In the meantime, we are watching a not-so-dazzling pilgrimage of an excellently coordinated character without the secret of pills. The final question, "are we lost?", which the heroine asks the hero, is quite relevant. It's hard to say what will happen to the characters and whether the whole reference is just a spite project to show naughty renegades that it will work without them. Trodding around the main storyline proves it. Otherwise, it’s OK. Some scenes are great (the entire fight in the house, the episode in Alaska), others reveal that Gilroy should not push into a Greengrass kinetic ride, for which he has no skill or level (the whole final chase with the oblique-eyed Terminator). Just a useless movie in a pretty bearable way. ()

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