The Danish Girl

It's nice that a transgender being can take festival-goers to Copenhagen, Paris, and Dresden in the 1920s and they don't even protest. The lead roles are godlike, and I had no doubts about the set design. In addition, excellent are also the supporting roles (Sebastian Koch as Magnus Hirschfeld) and especially the emphasis on the work of Gerda Wegener, for whom I don't know whether I prefer the Art Nouveau or Art Deco period. (02/02/2016)

The film definitely didn't disappoint in terms of acting, and especially Eddie Redmayne continues to demonstrate what a great actor he is. He can embody a role in such a way that you forget about Redmayne and only perceive the character. Moreover, Alicia Vikander is not only beautiful but also great. She sure is lovely to look at, there's no denying that. The life story itself is interesting, but the execution feels somewhat standard and expected, lacking enthusiasm from Hooper. (24/01/2016)

Beyond the ethereal acting performances, the movie didn’t really surprise me with anything. And it wasn’t supposed to. I don’t understand the topic and it’s hard for me even get into it a little bit. On the other hand, I admit that Eddie Redmayne is an incredible actor; just as incredible as Alicia Vikander is beautiful. And since I like European movies, I appreciated actors such as Matthias Schoenaerts and Sebastian Koch, who have taken the quality to the absolute top. (15/02/2016)

I know next to nothing about this issue and since I'm not some enthusiastic liberal, I didn't really feel like watching this movie. Paradoxically, I found the story intriguing, the acting performances were also great, but the two hours were simply too long. The way Tom Hooper filmed it just plain irritated me – awfully tedious, ridiculously long, and incredibly tacky. The music (I don’t understand how Desplat could have created such a brilliant soundtrack to The Grand Budapest Hotel and now this) in combination with the plot roused the feelings of genuine antipathy in me. That one Oscar for Vikander was well-deserved, but otherwise I have zero desire to watch this movie again. (05/03/2016)

Tom Hooper has failed to hang on to the status of a clear favorite. After the accessible The King's Speech and all the overflowing emotions of Les Misérables, yet another story is told of a man requiring a sympathetic posture to understand him. Yet this time it fails because it is told all too clumsily. It lacks lightness and, above all, the element of surprise, as every plot twist can be seen long in advance. Often, it doesn't matter, because Alicia Vikander plays like her life depends on it and Eddie Redmayne fascinates with every (albeit again perhaps too specific and almost disruptive) gesture. As a whole, however, The Danish Girl speaks a language that doesn't tell me anything new. (03/02/2016)