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Based on author David Grann's nonfiction bestseller, THE LOST CITY OF Z tells the incredible true story of British explorer Percy Fawcett, who journeys into the Amazon at the dawn of the 20th century and discovers evidence of a previously unknown, advanced civilization that may have once inhabited the region. Despite being ridiculed by the scientific establishment who regard indigenous populations as "savages," the determined Fawcett – supported by his devoted wife (Sienna Miller), son (Tom Holland) and aide de camp (Robert Pattinson) – returns time and again to his beloved jungle in an attempt to prove his case, culminating in his mysterious disappearance in 1925. An epically-scaled tale of courage and obsession, told in Gray's classic filmmaking style, THE LOST CITY OF Z is a stirring tribute to the exploratory spirit and those individuals driven to achieve greatness at any cost. (Amazon Studios)

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POMO 

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English Just don’t expect another Indiana Jones. The Lost City of Z is not big-screen adventure fun (like the recent unremarkable Kong), but an almost intimate drama about a dreamer who would like to be a good husband and father, but he is driven onward by his endless determination to discover hidden worlds. The movie’s characters and atmosphere are nice, as is spirit of the story. There’s no annoying digital crap, but no really exciting scenes either. Charlie Hunnam is good; as the producer, Brad Pitt is turning him into his younger successor. Incidentally, what is it with Brad Pitt and the letter Z? ()

novoten 

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English A journey that does not lead along any seemingly clear paths. It is not a tale of adventure, but neither is it a detailed study of jungle turmoil, fortunately. Fawcett and Costin may have attempted both directions, and yet they are described in a completely different spirit. One where the main focus is on their own determination, the search for a life goal, and not losing sight of that goal no matter the sacrifices. The result is that increasingly rare phenomenon of an honest epic film, which takes as much time as it needs to reach its point. Its only (but easily visible) mistake is that it takes at least half an hour more than necessary to fit everything precisely. ()

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Lima 

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English James Gray is a director that doesn't seem to belong in today's world. This is how films were told in the 1950s and 60s, in the era of David Lean's thoughtful big movies, i.e. slowly, deliberately, with an emphasis on character portrayal, with a strong lead (the charismatic Hunnam was an ideal choice). Today's spoiled kids, addicted to Fast and Furious, Marvel and similar crap on steroids, let them go somewhere else, they wouldn’t appreciate this. This favors a strong story, and I like it that way. PS: Charlie Hunnam is a stud. There aren’t many more charismatic actors than him today. I hope that the lack of commercial success of his last two films won’t kill his career with producers. ()

D.Moore 

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English People who compare The Lost City of Z to Indiana Jones and refer to its hero as Indy's predecessor probably lack judgment, insight, or both, and a pinch of common sense. The film, from which I didn't really expect much at first, reminded me of Lawrence of Arabia in the best sense. It's a similarly impressive adventure spectacle, somewhat old-fashioned (sometimes in a meditative style reminiscent of Terrence Malick), superbly written (searching, finding, prejudice...) and also acted. I was particularly surprised by Robert Pattinson, whom I've only seen in a small role in Harry Potter so far, and who definitely has something to say to the film world. ()

EvilPhoEniX 

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English A pretty appealing premise and a promising Charlie Hunnam, who made a decent name for himself after King Arthur: Legend of the Sword, but simply boring for my taste. On the other hand, if the whole film was set in the jungle with the cannibals, I'd find it much more entertaining, but once the story starts going home and back, it loses pace and my interest considerably. The production design is decent, visually it’s ok, but the slow pace and extremely long running time hurt the film. 55% ()

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