Pirates of the Caribbean: On Stranger Tides

This time the Pirates played the same trumps as once upon a time in part one, i.e. on the purely adventurous tone of the quest for treasure, instead of attempts at mythology or epicness. And it darn worked, even though it’s not so great. To hit the jackpot they needed someone in the director’s chair who can handle dynamic action and comedy timing and who knows how to present everything he has at his disposal. No blockbuster, but no disappointment; just perhaps the absence of chemistry (with one exception) between Depp and Penelope. (19/05/2011)

Almost a week since the screening, I'm downgrading it to two stars. A two-hour recycling of ideas is how I would describe the fourth Pirates. I love the first Pirates movie, I love the second one, and I admire the third one for being SO huge and full of all the amazing things to look at (besides the pathos) ... But what to make of the latest sequel? My biggest regret is that there's almost nothing in the film that I haven't seen in the previous ones. Sparrow's escape in London is reminiscent of the Curse of the Black Pearl, and we’ve also already seen the sword-fight between the "two Jacks", Captain Blackbeard's ship with its "zombified" crew seems belong to Davy Jones' ship, "the race" to get certain artifacts is also too similar to the unwinnable battle for Jones's heart from Dead Man's Chest, the (funny) escape with palm trees reminded me of the escape from the island of man-eaters... And I could go on. The major problem is simply the unimaginative, unfunny script. It also offers a bland storyline with a young priest (of course he has to be sexy), a bland Penelope Cruz and completely useless cameos by Keith Richards or Judi Dench, and it is full of stupidities (balancing on a shipwreck) and is unbelievably boring during the passage on Blackbeard's ship. Verbinski's idea-packed direction is just noticeably absent here. The film is saved by the actors (the scenes with Johnny Depp, Kevin McNally and Geoffrey Rush are the best of all, and it's a pity there are so few of them; Ian McShane is also good), Zimmer's fresh-sounding music, the really great scene with the mermaids and the breaking off of the stalactite tip... But there is not much else to write home about. I would say that this one will be more enjoyed by people who haven't had the pleasure of seeing the previous films. I didn't have much fun, and that's a shame. (19/05/2011)

Of the entire Pirates of the Caribbean series, only the first film deserves any real recognition, as it represented a quite original blend of adventure, pirate spectacle, romance, and fantasy fairy tale, which rightly impressed audiences worldwide and brought generous profits to the producers. The subsequent installments only tried to squeeze as much as possible from the concept and relied on the classic formula and the support of blockbusters, i.e., a gigantic budget that would cover the script's weaknesses, stars in leading roles that would attract public interest, and of course, the advertising potential of the well-known series. I agree with the idea that the fourth installment represents a departure from the previous concept of an adventure spectacle toward pure comedy, led by Johnny Depp. He is the alpha and omega around which everything revolves, and surprisingly, along with a series of special effects and gags, that's enough to earn the film three stars. This is a classic popcorn movie that serves for immediate relaxation, allowing a couple to indulge in themselves for a while, munching on popcorn or drinking cola, without missing out on anything essential. Overall impression: 55%. Surprisingly, despite its numerous shortcomings, it is a little better than the overly stylized third installation in terms of motifs and production design... (18/10/2011)

Ten minutes before the end of On Stranger Tides, I remembered that I was wearing 3D glasses and that the film was (probably) in 3D (it was an IMAX projection). And the only thing I will remember from this a month later is the mermaid scene. The rest is just fluff, exploiting the success of the franchise, the actors and Hans Zimmer’s music. I’m only giving it three stars because the film is playful and harmless. In terms of viewer experience, though, it deserves only two stars because it’s boring. How come so many makers of B-movies know how to come up with innovative and refreshing ideas, and the Hollywood elite behind this doesn’t? (19/05/2011)

Given the discreet aura of unsuccessful sequels, which unfairly burdened the second and third parts, a change on multiple fronts was probably the only solution. Gone is the escalating complexity of various intrigues or last-minute pulling of key characters out of the hat. And although I have always enjoyed this approach, I must admit that returning to the classic pirate escapade, in which Jack Sparrow mainly pulls the strings in key moments, is an idea worth all the money. Marshall's academic pedigree successfully builds upon Verbinski's legacy. (21/09/2011)