Iron Man 3

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USA / China, 2013, 130 min

Directed by:

Shane Black

Based on:

Stan Lee (comic book), Jack Kirby (comic book) (more)

Screenplay:

Shane Black, Drew Pearce

Cinematography:

John Toll

Composer:

Brian Tyler

Cast:

Robert Downey Jr., Gwyneth Paltrow, Don Cheadle, Ben Kingsley, Paul Bettany, Rebecca Hall, Guy Pearce, James Badge Dale, Jon Favreau, Stan Lee (more)
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Marvel's Iron Man 3 pits brash-but-brilliant industrialist Tony Stark/Iron Man against an enemy whose reach knows no bounds. When Stark finds his personal world destroyed at his enemy's hands, he embarks on a harrowing quest to find those responsible. This journey, at every turn, will test his mettle. With his back against the wall, Stark is left to survive by his own devices, relying on his ingenuity and instincts to protect those closest to him. As he fights his way back, Stark discovers the answer to the question that has secretly haunted him: does the man make the suit or does the suit make the man? (Walt Disney Studios Home Entertainment)

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Reviews (14)

D.Moore 

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English I probably won't agree with others that Iron Man 3 is the best installment of the franchise, because I like the second one a bit more, but I'm not dissatisfied with this one. On the contrary, I'm cheering, because I've been waiting for this satisfaction as opposed to the boring The Avengers. Particularly with everything that takes place after the destruction of Stark's mansion, the third Iron Man is one of the funniest adaptations of Marvel comics (Thor's position is seriously threatened), it's also a very action-packed film, and it's gratifying that Tony Stark often gets into the action without his suit - for example, during his escape from his captors, which is quite possibly the best scene ever. The script doesn't lack emotion or insight, and I'm glad they're not copying The Dark Knight as much as I feared (the new Superman will be worse). Thanks to Brian Tyler, Iron Man finally has a proper musical theme (I have nothing against Debney). I would deduct points for Guy Pearce’s bland character, who was not very well thought out. In contrast, Ben Kingsley's unique Mandarin was perfect. ()

J*A*S*M 

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English The best Iron Man, sure, but nothing to write home about. It’s the same playful Marvel as we know it, it doesn’t get darker or rougher in any significant way. The one really interesting thing is the twist with the Mandarin, its ambition is something not very common for Marvel, with some tangible overlap, that is. But it all ends after a couple of sentences, the whole thing is quickly forgotten and plot moves forward to the mandatory and pathetic rescue of the scumbags and the American presidents of the world, with inconsistently explained rules and a bland villain. But it’s pretty good fun, even if some of the jokes are repeated, Stark’s seizures look from another (better) film and the action could be more clear and dynamic. What I liked the most were the retro end credits. 7/10 ()

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Malarkey 

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English I enjoyed the first part of Iron Man, but at the same time I realized that he’s not going to become my favorite character. Robert Downey Jr. portrays him really well, I’m not saying he doesn’t, but the mixture of opponents, settings and jokes is not something that I grew fond of. I skipped the second movie and all of a sudden I had the chance to watch the third one. There was nothing else on TV so I decided to watch it to enjoy a pleasant blockbuster. I actually watched the movie twice, I wasn’t sure whether I was in the right mood when I watched it for the first time, but even the second time around the movie didn’t really amaze me. The antagonist was actually quite OK, but I simply couldn’t find anything to hold on to that would attract me to the movie. Simply put, I was pretty bored for the entire two hours. You see I believe it’s two hours of an absolutely mediocre movie with good visual effects, which unfortunately are not everything. ()

DaViD´82 

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English Lethal Weapon: Iron Man Xmas Edition after which I may or may not have rather watched a comedy spin-off called Mandarin: Origin or a kids’ popular science show, Iron Child and his mentor, The Mechanic. A good old action buggy comedy (they say that this format is out of fashion... I’m glad they didn’t tell Black about that!) that has everything it should; from the very beginning right up to the eighties-style final credits. And when you compare it to other routine episodes, I needed so little; a good screenplay (in terms of this genre, of course), a proper villain and to make Stark the direct protagonist of the action scenes. Which meant the end of strict division into mutually unrelated passages of a “situation comedy with Stark" versus an “uninteresting, impersonal action with a CGI Iron Man". ()

Kaka 

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English The third Iron Man is a bit too minimalist in my opinion and overloaded with too many alternative plot elements. The first one was nicely compact and light. The second was oversized, but the action scenes were breathtaking and spectacularly executed. The third one is chatty, somewhat funny, the inner "Dark Knight" mood of the main character is a bit excessive with a considerable amount of irony, and there is almost no action (only two scenes, one of which is breathtaking, and the other is traditionally overwrought). I wanted a summer blockbuster, but what could they come up with in the third installment (the fourth one if I count the pumped-up Avengers) to make it feel fresh, innovative, and entertaining for millions of people? There isn't much. They got serious and humanized Iron Man, some people like it, some don't. I wanted to be "carried away" and instead, I was forced to "think". ()

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