Moneyball

I don’t understand baseball, I don’t even like it (I only know the Red Sox because of Stephen Kind and Lost) and I doubt that this sport has any sense to it. I like baseball bats (for personal reasons), but that’s not enough to make me able to watch a movie about baseball. So, who did all the work, who made me like the movie? Brad Pitt, who plays a guy who keeps on losing, but keeps on trying, makes bad decisions, knows that but still he keeps on trying until he takes a last, desperate step and starts to listen to a fat accountant. Perfect dialogs, decent humor, excellent actors. It couldn’t have been filmed better, in my opinion. (18/12/2011)

A year after the world applauded Sorkin's screenplay for The Social Network, another story full of rapid-fire dialogues, technical terms, and a suppression of obvious emotions to a minimum came. Although comparing Facebook to baseball is difficult, this calculated approach and, in the case of the author, this quick bet on certainty already undermines Moneyball from the very beginning. And even though it looks almost effortless in its technically precise environment and occasional family scenes can work, I didn't get enough of it. I understand the pursuit of exceptionalism and the desire for a forgotten dream, but the film remains halfway between a love confession for sports statistics and a demonstration that being a general manager is no joke. Precise 70%, especially for one of Brad Pitt's career performances. (22/02/2012)

The Social Network meets baseball. Without knowing the name of the (co-) screenwriter in advance, I read Sorkin's work in it. It is once again irreconcilable, reckless, verbose (towards the subject), at times coldly distant, yet full of respect for the "solitaire" who will change the world (of baseball). Enjoyment of the film will increase exponentially with the viewer's awareness of the game as such. But even if you know as much about baseball as I do, there are still a lot of lively-written and well-acted characters whose relationships and communication entice. The film didn't seem all that rational to me (I didn't understand it in detail), but emotionally it just works (at times, surprisingly, and I don't know why, the adult infantile relationship between Billy and his daughter evoked Coppola’s Nowhere). Moreover, apart from a few cliche slow-motion parts, I have to appreciate how spartan the whole thing is. No ultimate feel-good. Just "daddy, you’re such a loser"... A remarkable testimony about how things can be changed and (again) a film that is about a rebellion against those who say that there is no other way. Coincidence? You decide. :-) (15/11/2011)

The best and most entertaining baseball film I’ve ever seen. Before watching it, I wasn’t expecting it to deliver a great experience because baseball is all Dutch to me, but the fears were unwarranted. Brad Pitt’s great performance and the equally great script didn’t allow my attention to stray away. Thumbs up and I’m rooting for Brad at the Oscars. (16/12/2011)

Very smart and cleverly directed, without unnecessary arrogance and artificially heightened emotions. A bit reminiscent of Any Given Sunday, but far less controversial. It must be said that Moneyball also relies on its actors, especially on Brad Pitt (he’s ageing like fine wine) and the young Jonah Hill (excellent potential). I lacks drive, but it's not that they forgot about it, it simply wasn't part of the plan. An unconventional sports film. (29/01/2012)