Unstoppable

It has a clear beginning and ending. The plot is simple, but it was used perfectly. The scenes feel real and I'm glad for the lack of unnecessarily unwieldy actions. Chris Pine and Denzel Washington are a great duo. And for a movie that takes place only on a train, I really enjoyed it. Most of the credit for that goes to Tony Scott, of course. 4 stars. (06/02/2012)

The title doesn't lie. Tony Scott made an uncompromising action flick that combines the atmosphere of old-school John Frankenheimer or Don Siegel blockbusters with contemporary, digitally supercharged visuals, and it gets going early on... and then it's just goes, goes, goes. True, there's not much that's unexpected or revelatory in Unstoppable, but it's such an entertaining and fun film that I found myself staring. As I hold the DVD cover in my hands, I wonder why the hell it didn't come to the movie theatres? (29/03/2011)

It’s nice that the realistic story and believable actions of the characters prevent this Tony Scott movie from being full of lapses in logic. In comparison with Speed, for example, it’s more of a dramatic thriller than an action flick, even though Scott’s traditionally spectacular and energetic visuals suggest otherwise. Moreover, the director shows some brilliant work in escalating the tension, which is the best feature of the movie. Even so, without terrorists, ticking bombs or at least a more sophisticated (explosive?) ending that would play with the toxic cargo on the train, the film remains somehow incomplete. (30/03/2011)

A very predictable and unoriginal film that now, in 2010, doesn’t deserve any attention. Tony should work on more interesting projects, he still does action very well. The film did inject some adrenaline in my veins, but it’s a pity it didn’t manage to make me feel really tense, because there is absolutely no doubt about how things will turn out. Cliché incarnated. (20/12/2010)

A straightforward action treat, dripping with adrenalin, especially toward the end. I even sort of subliminally guessed how it would all end, and sometimes a shocked “Jeezus" or “Wow" dropped out of my (and not just my) wide open mouth. Scott does incredible work with the entire dynamics and has a talent for action that few can equal, and also I’m really pleased that the trains and the surroundings were all real. No greenscreen sequences. No shortage of clichés here, but Denzel and Chris Pine endured this with flying colors and the movie could be taken to be a harmless return to grassroots. Otherwise, this was one of the most thrilling movies recently. (23/01/2011)