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From producer Peter Jackson and director Neill Blomkamp comes a startlingly original sciencefiction thriller that "soars on the imagination of its creators". With stunning special effects and gritty realism, the film plunges us into a world where the aliens have landed... only to be exiled to a slum on the fringes of Johannesburg. Now, one lone human discovers the mysterious secret of the extraterrestrial weapon technology. Hunted and hounded through the bizarre back alleys of an alien shantytown, he will discover what it means to be the ultimate outsider on your own planet. (Sony Pictures Home Entertainment)

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Reviews (13)

Isherwood 

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English There was a loophole in Hollywood, and a guy who is no stranger to the word "compromise" slipped into the A-list mainstream. I’m glad Peter Jackson gave Neill Blomkamp the chance to make an incredibly engrossing and captivating sci-fi for a ridiculous thirty million. The film squeezes out the subject matter to the last drop, and then there are the special effects sequences. The feeling of "this is how it might actually happen..." beats the viewer over the head in every scene, and yet it doesn't falter in its pace. Objectively, I could ask several "why and how?" questions, but subjectively, I was ecstatic the whole time. If Blomkamp really does make a "Halo" movie, I want to see "Hal-Life" from him too, the guy’s got what it takes! I hope he succeeds. ()

DaViD´82 

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English The prawns would probably love Whiskas, but personally I would prefer to pay entrance for a movie that had it clear in its head whether it wants to be a sloppy B sci-fi where the worse it is the better, or E.T., Transformers, Children of Men or War with Newts. I’m not saying that it can’t be combined into one whole, but certainly not by forcibly changing genre every quarter of an hour, forgetting about everything that has come before and shaking a stolen closed circuit camera around like a maniac. I followed the trend presented by Blomkamp and within fifteen minutes I forgot that I had ever seen this movie. ()

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3DD!3 

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English Definitely the surprise of the year. I really didn’t expect D9 to be this good. The original approach of the guy who I’d almost written off during the test shots for Halo blew my mind. Blomkamp knows his stuff. He’s good at provoking mixed feelings, where you don’t know whether to laugh or be disgusted. The whole movie is supported by an amazing performance from the unknown Sharlto Copley and his Wikus is everything but a good-guy main lead. Regardless everything he does at the beginning, the viewer still can be on board with him. Most of the people and the prawns, are bastards anyway. When I think about it, the only actual good guy was Chris. :-) It’s the best sci-fi so far this year (but this will probably be beaten by Avatar which comes out December 17th). This year’s Terminator can go take a walk. - Should I shoot the little bastard? - , you can’t shoot it now, it’s illegal to do that. ()

J*A*S*M 

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English I resisted the seductive call of the DVDrip so I could watch this film for the first time in the cinema, and now I can say that I would have been furious with myself if I had missed it. Neil Blomkamp delivers a great science fiction film, the best in recent years (and what’s nice is that this isn’t the first time this year that I say this, and maybe not even the last, re: Moon and Avatar). I respect the radical style change between the first and second halves, but I loved the first half better because it’s something incredible and never seen before in the genre and in this form. Rather than to Cloverfield, District 9 is more similar to the unknown Japanese horror film Noroi the Curse, which keeps the documentary format uninterrupted for its entire runtime. The events of the second half could not be captured as a “documentary”, that was very clear to me. Even though it reaches its “WOW” peak somewhere at the beginning, the rest of film is so striking and breathtaking that it was a joy to watch. The occasional lapses in the script are easy to ignore – they aren’t as big as I’ve read in some reviews. I recommend it. Edit: The second viewing brings the rating down to four. ()

Marigold 

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English One of the smartest movies of the year. It's not so much the idea, but rather the way Blomkamp updated the genre. District 9 has everything one can ask for from dejected offshoots, moreover in a completely sophisticated package. And the idea of using a documentary not only as an authenticating component, but above all as a means of explaining abbreviations, simply deserves recognition. ()

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