Predators

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The film follows contract killer Royce (Adrien Brody) as he is abducted by alien creatures and released along with seven other professional killers onto a strange and hostile planet. Battling for survival, the group comes across Noland (Laurence Fishburne), an American commando who has managed to survive on the planet for several years by hiding out in a cave, and discover to their horror that they have been brought there as prey for a new and merciless race of vicious human-eating alien predators. (20th Century Fox Home Entertainment)

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DaViD´82 

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English Antal has an incredible sensitivity for getting that eighties feeling right, in the end Brody surprisingly doesn’t seem like Arnie’s androgynous embryo (in the ending sequence his muscle-bound body was particularly impressive... or else CGI technology is much more advanced that I thought) and so only the more expensive half away from the jungle is the only thing that spoils it; not that it’s outright bad, but it lags far behind the first half in terms of quality. In the better half, it’s so good that it is better than the original. ()

Remedy 

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English It is very clear that Roberto as a producer really took care (from the cast, to the director, to the soundtrack, etc.). I have to agree that the first half is more mysterious, more suspenseful, and much more atmospheric; the second half lags a bit compared to the first, but still the result is great. Seeing it in the cinema is a must! :))) ()

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Isherwood 

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English If I wanted to use a strong word, I’d probably use "disappointment" first, but "wasted potential" seems more appropriate with hindsight. Antal is talented, there’s no denying it because for two hours I felt like I was watching unadulterated 1980s carnage. It’s aided by good cinematography, and Debney’s brilliant soundtrack (those native drums just work even twenty-three years later). The present bunch is worse. True, I can't expect psychological miniatures, but... damn, couldn't it have been stretched for a few more minutes so we could learn a little more about them? There are all sorts of excuses for this, such as the fact that action movies were made this way when the first film was made. But what do you do with one random survivor and a nutcase with a scalpel? It’s also hard to love a film where I have to hit my head a lot to shake the memory of any significant action out of it. In that regard, I'll be eagerly awaiting the Director's Cut on DVD. Until then, it gets a hesitant 3 ½ stars. PS: The first half earns five stars. ()

3DD!3 

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English Too bad there wasn’t more money, it could have been a great picture. Anyway, it’s made by fans, for fans, and that really showed on Predators. Blood, even the green kind, flows in copious amounts, there’s a thousand and one snappy lines, and, most importantly, it honors the original. Adrien Brody is ripped, I wasn’t expecting such a scrawny little guy to get in shape like this (maybe it’s time for me to hit the gym, if he can do it, why can’t I? :D) and his Royce is the classic type of soldier that you can’t help but fall in love with. The same goes for Oleg Taktarov and the Yakuza guy. A mention belongs to Topher Grace, who spiced the whole cast up very nicely. But casting Laurence Fishburne was a big mistake, he spoiled the whole middle of the movie. He wasn’t the right guy for the Noland character and overall held the movie back. Antal did a fine job, and thanks to him everything runs like clockwork, and the whole movie flows along nicely. This is also thanks to John Debney, who utilizes every last note of Silvestri’s original score, subtly embellishing it here and there for a more modern fit. P.S.: I wish I could say that more often about other translators too, but alas I cannot. ()

J*A*S*M 

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English After “Arnie’s” first one, this is hands down the best film in the Predator universe, though the original holds that first place mainly for the cult status it has gained over the years. By this I mean that both are basically the same, but whereas Predators is intentionally silly in a cute 1980s way, in Predator  that’s unintentional and therefore better (or worse, depending on how you see it), thanks to is earnestness. Nimrod Antal proves that the fears about his choice as director were unwarranted. I wasn’t expecting any interesting directorial tricks, but Predators is a film where the craftsmanship and the sense for execution and atmosphere are more than enough. I had a little problem with Adrien Brody, who’s maybe a bit too good a character actor for the role. In short, Predators is almost excellent, I got exactly what I wanted. PS: “Die, you space faggot” is almost as great as “You’re one ugly motherfucker” ()

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