The Social Network

A masterpiece that matures with each viewing. Brilliantly directed, inventively scored by Reznor, perfectly edited, with flawless casting. First of all – unknown to me until now – Andrew Garfield impressed me with his masterful performance (great hope for the next Spider-Man), but the slightly autistic talented asocial Jesse Eisenberg is not far behind him, I believe that in both cases Oscar nominations at least are certain. Every era had a significant film that characterised it, went to the heart of its essence and became timeless, and Fincher's work, in these times of the information technology boom and the fearless entrepreneurship of the young generation, is such a film. (14/01/2011)

Eleven years have passed, and with it Fincher's visual exhibitionism, and here is a film that assaults the senses in the same way that Fight Club once did. The generational thinking that it's no longer about breaking out of the system, but being part of it is "awfully cool." I’m not a nerd, nor do I understand IT, but Zuckerberg does. Like. (09/11/2010)

The Social Network is not a film about Facebook, the internet, or social networks, and it is not even, in the true sense of the word, a biography of the founder of the Facebook company. It is a film about the desire for excellence, about ruthless ambition, where excess baggage is discarded on the way to success, and friends and loves are lost. It is a film about entrepreneurs who can build an empire out of nothing and who must possess qualities that would exclude them from mainstream society. Success, however, can silence the critics. And that's probably how it goes with big projects. A similar film could be made about Ford or Rockefeller. At the end of that journey, the hero is celebrated and favored, yet lonely and sadly clicking through his Facebook profile, hoping to regain a piece of his past. From a filmmaker's point of view, it is a brilliant film where every detail, from editing and camera work to the music, reveals one of the best directors of our time. It's not a popcorn flick, but more of a film for connoisseurs. Overall impression: 90%. (28/10/2010)

Sorkin's dialogs — perfected to the smallest detail, heady visuals, and Fincher's flawless directing make this “movie about facebook" one of the experiences of the year. All the characters are thoroughly dissected and the actors pour out their best. Eisenberg managed to slip into a nerd's shoes perfectly, and is more than convincing in his portrayal of Zuckerberg. Garfield wasn’t at all dazzling (I still don't understand why he's gonna be the next Spidey), but he came across as the most likable player in this squad. In any case, nothing can be said against him. But, I was very impressed by the duo of rowing twin brothers; Armie Hammer was very convincing in both roles. And the details, the details: the camerawork in the club scene, the lost race with an electronic version of In the Hall of The Mountain King roaring away, and so on. Speaking of the music - superbly done work. Very Ghost V. Drop the "the". Just ‘Facebook.' It's cleaner. (08/11/2010)

Jakub Smutný commented on the video of user David Fincher: “Good job, mate.” This comment was shared by 240 users of Rotten Tomatoes. David Fincher joined the group "Waiting for the Oscar." Aaron Sorkin became a fan of the page "AwEsOme StORies." User Lucinka Mišiczka Šmudlinková wrote on the wall of user The Social Network: “I didn’t like it at all, very boring, but it has the actor of Zombieland :-*.” Jakub Smutný joined the group “People against teenagers in cinemas”. David Fincher wrote a message on the wall of user Mark Zuckeberg: "Sry, bro." User Film Fans is friends with David Fincher, Jesse Eisenberg and Justin Timberlake. You and Film Fans have 3 friends in common. Jakub Smutný is attending the event “Other screening.” I like this. Share on Facebook. (31/10/2010)