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Dr. Martin Harris (Liam Neeson) awakens after a car accident in Berlin to discover that his wife (January Jones) suddenly doesn't recognize him and another man (Aidan Quinn) has assumed his identity. Ignored by disbelieving authorities and hunted by mysterious assassins, he finds himself alone, tired, and on the run. Aided by an unlikely ally (Diane Kruger), Martin plunges headlong into a deadly mystery that will force him to question his sanity, his identity, and just how far he's willing to go to uncover the truth. (StudioCanal UK)

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Reviews (10)

POMO 

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English Amnesia, Berlin in winter, secret agents, car chases, a cold femme fatale, an Arab sheikh, a trustworthy and likeable woman taxi driver, a brilliant scientist, powerful people pulling the strings behind the scenes, hit men, an unexpected twist. And also a great cast. It’s all here, but only in a recycled and somewhat overdone form. In his previous OrphanJaume Collet-Serra managed to shake up some genre clichés, but that doesn’t happen here. The film’s only memorable scene is the chilling encounter between the excellent actors Bruno Ganz and Frank Langella. ()

Pethushka 

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English After reading the plot summary I made a bet with myself as to whether I would give 4 or 5 stars. Unfortunately, I lost in both cases and I'm still quite disappointed. The whole movie kind of unfolds without surprises with a lot of unnecessary car chases. Only the excellent ending is above average. Otherwise nothing new under the sun. A little better 3 stars. ()

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Kaka 

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English The final plot resolution is very interesting and not at all predictable. The action is scarce, but when it occurs, it has drive, and in fact, it is all somewhat “Bourne-like”, including the excellently utilized winter and freezing Berlin full of gray streets, dirt, homeless people, contrasted by luxury hotels, cars, and Arab sheikhs. Everything around the mysterious group of people is cold, raw, and uncompromising, while on the other hand, Liam Neeson is very down-to-earth and believable (as it’s his standard). They relied on a proven template from recent years, and they definitely did not spoil the result, which is a skillfully directed story with good performances. Bruno Ganz is monumental. ()

D.Moore 

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English An accomplished thriller that seems to have arrived in 2011 from the seventies, when masterpieces like The Ipcress File, Funeral in Berlin and The Quiller Memorandum were being made. Everything seen (the strangely atmospheric, gloomy Berlin, the progressively gritty Neeson, the sympathetic Kruger, the charismatic Ganz, one of the best car chases in recent times) and heard (the good Ottman) was great. The final twist wasn't that much of a twist, but I can't complain. It's a shame that Unknown was unable to avoid a few horrible clichés in the finale. I still give it four stars. I had fun and I was tense.__P.S. I don't know what was supposed to be mysterious about the film. ()

3DD!3 

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English Liam “hard-guy" Neeson is hitting people again. Although this isn’t as effective as Taken, it is still very, very entertaining. The main problem of Unknown is the fairly strange screenplay that wanted to surprise so much that toward the end I was gritting my teeth at just how artificial it was. But I liked it. Both Diane Kruger and January Jones are nice to look at, Neeson is right at home in this type of role and Bruno Ganz got to me the moment he opened the door. Otherwise, nice car chases, easy-to-follow action and the story... erm, unusual. A decent genre movie. ()

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