Leaving

Vilém Rieger held the office of Chancellor for many years and now can’t come to terms with the fact he has been ousted. His world has collapsed, as well it might since he also has to move out of the government villa that has become home for himself and his family. While he undergoes the humiliating process of separating government-issue property from his own private things, he involuntarily embarks upon an inventory of his relationships with the people around him. In the process he discovers that he never actually knew his family or his colleagues at all and is now in danger of being manipulated by everyone in his midst – including those closest to him. Václav Havel based his directorial debut on his own stage play which he began writing back in the summer of 1989, before the political changes occurred, propelling him towards the presidential office. The film adaptation of Leaving, a play within the poetic mode of absurd theatre, thus tinkers with autobiographical elements, but it is not the story of Havel himself. Musings on the powerlessness of the powerful in the face of their own ego call to mind Shakespeare’s King Lear and Chekhov’s The Cherry Orchard. (Karlovy Vary International Film Festival)