Wonder Woman

In the film universe of the DC stable, which lasted for ten years, there was a flash of the best times here, because it stopped trying to cram in all genres, themes, and directions. The trailers may have promised explosive action interspersed with perfectly timed jokes, but the reality is completely different. For Wonder Woman gave rise to a charming, genuine, and authentic fairy tale right before my surprised eyes. It contains the archetypal battle of good against evil and lessons about their intertwining and necessity. It has faith in love and its power. And it also has a princess, who incredibly suits Captain Trevor and whose dialogue debut screenwriter Allan Heinberg gave his soul to. A beautiful spectacle with all the attributes of old-school adventure traditions. (02/06/2017)

In the recent years it is fashionable to shoot action or fantasy movies with female leads, so we have a chance to see or discover a whole range of new and beautiful actresses with great skill. In this case Gal Galdot did not disappoint at all. Her beauty is probably visible all the way from the Moon and even Martians would know who to pay attention to on planet Earth, if they decided to conquer it. However, I've had some issues with the screenplay as that is much worse. The Americans appear to think that we Europeans are completely dumb, so they’ve mixed the visualization of the First and Second World War and created something that may be nice to look at, but otherwise it is completely stupid. Luckily, there is Chris Pine alongside Gal Galdot and he was probably even better than her. His role was once again amazing, which I cannot say about the antagonist, portrayed by David Thewlis. His acting was good, but as an enemy he qualifies at a similar level as a nice uncle with moustache and candy. The film radiates personality and also quality, but I think it is still not enough to place DC on the same level with movies like Thor or The Guardians of the Galaxy that brought a new level of quality and fun into movies based on comic books. (16/07/2018)

Once upon a time, in late 1941, the first "Wonder Woman" story written by William Moulton Marston was published. A lot of time has passed since then. Personally, I love the whole Amazon Princess series and the Lynda Carter series, and I'll take my pick from the animation too. I've just been slightly nervous since the new Man of Steel about how this thing would turn out. Turns out it was excellent. Last year, Gal Gadot made her debut as Wonder Woman in Dawn of Justice and attracted a lot of attention. Today, we have a film that we’ve been waiting for for 75 years, which manages to combine a long line of views on Wonder Woman’s origin and her sidekicks, incorporate it all into the new DCU, and treat traditional readers and new ones alike to a slice of their favorite concept. It works. Although it is true that purely for the film, WW2 was traded for WW1, the one that was supposed to end all future wars. Patty Jenkins' Wonder Woman is a wonderful experience and IMAX is the perfect place to experience it. (01/06/2017)

The beginning is pure comic book delight. It's wholesomely mythical, visually captivating, and the world of the Amazons is fleshed out to a tee (the scarred Robin Wright, yum!). After arriving in London, the atmosphere is logically gone, but they manage to evoke the feeling of the 1920s quite well, not only thanks to the generous budget, but also thanks to the costumes and the period banter between Chris Pine and Gal Gadot. The imaginary highlight is the gorgeously shot opening trench scene, which I think Zack Snyder took credit for because it just couldn't be shot by a woman. From then on, it goes downhill dramatically in both the tightness of the plot and the supporting storyline. Unfortunately, the finale is the traditional DC CGI mess, like in Batman vs Superman. It's a terrible shame, because Snyder, paradoxically, can shoot action wonderfully, but he can't let himself off the hook, and unfortunately film finales don't work well for him either as a director or as a producer. But that doesn't change the fact that Gal Gadot was good and Wonder Woman is a very likeable character who can be femininely fragile, funny and strong. Switch the director and screenwriter for the sequel, avoid the grand finale, and you're home. It most closely resembles the first Captain America – especially in the characterization of the main character, its retro-futuristic war atmosphere, and the setting of the story in history. (02/06/2017)

I don't know. It didn’t bother me, but if I could sleep two hours longer instead of Wonder Woman, I'd probably consider it time better spent. The opening on the island of the Amazons is a feast for the eyes, the action sequences are fine until the Snyder-like CGI-mess kicks in, where everything bangs, lights up, slows down and looks like it's from a stupid video game. And Gal Gadot nails it, she's not a very good actress, but luckily Chris Pine is always next to her and is cool and funny enough to somehow pull it off. Unfortunately, the whole thing is at least half an hour longer than it should have been, the middle section with the shenanigans in London isn't nearly as funny as the filmmakers might have liked, and the messed-up finale sadly shows that Warner still hasn’t learned from the mistakes that plagued their previous films. And I honestly don't know if I'll be in the mood for it next time. (31/05/2017)