Suicide Squad

Magic at last. DC has managed to pull ahead of Marvel with this movie. Suicidal editing sacrificed integrity for tempo. I see the diabolical hand of the producer in this. A forced, soundtrack of songs (I admit that they’re great songs, hats off) often clumsily accompanies the introduction of characters to give them greater “dynamism", but it drowns out what might have made those flashbacks interesting. Make the opening longer not shorter and give it a purpose in addition to the obligatory introductions. Ayer handled the interplay of the self-centered assholes extremely well, even though Will is still a good guy (so they’re killing people, so what?), all team scenes work flawlessly. Unsurprisingly, it’s Harley who steals the whole movie. Margot Robbie is perfect and her storyline with the Joker is romance of the highest caliber (even if it goes a little against the aim of the comic concerning domestic violence). This movie would have been great with an R-rating, particularly in the Joker torture scene. Suicide Squad suffers from New 52 syndrome (from klutzy Geoff Johns, who also oversees the movies), when DC lost its balls while trying to please the younger public. Ayer is fighting against this, and the characters presented are all super. Jai Courtney in a live role! The Enchantress/Flag storyline spoils the ending a little, whereas the creators shouldn’t have been afraid to bring it to an end, but I say that the magic separates Suicide Squad from the rest. Overall, quite content, but they could have done better. They had the team for that. I hope there will be a director’s cut that will return the missing scenes from the trailers and give it a stamp of originality. Trying to be like Guardians of the Galaxy just doesn’t suit this movie. (03/08/2016)

I was expecting something brisk and cheeky, and I got a hilarious mash-up of elements that work in Marvel movies, but not in DC. Their new multiverse is confusing and disjointed pulp that gives the impression of something born in the heads of suits at table and not in the head of a person who really has an overview and a clear vision of what the whole should look like. Someone like Kevin Feige is missing here (DC Sandbox guardian Snyder is not even able to look after his films, let alone the whole universe). Ayer is desperately groping in terms of directing and the screenplay (the only twist in the zero plot is the scene the viewer saw shot after shot an hour before, wtf?), the types of sociopaths are rather good at first and often unused (Leto's over the top Joker as a romantic filler?). The soundtrack is so puffy and eclectic that it fades out into nothing. Scenes with Deadshot mainly kick ass, which Will Smith made into a pure pleasure (because ***) and a few scenes with sexy Margot Robbie. Otherwise, this wannabe radical slap to the competition is just a sweaty affirmation of the superhero status quo which, unfortunately, is not even half as amusing as in the case of the Guardians of the Galaxy. The attempts to create a dark picture of the world, which is ruled by the brutal bitch Amanda Waller instead of Nick Fury... sorry, it feels so convulsive that it can't be taken very seriously. DC is groping (and it’s still not fun). (03/08/2016)

They put together a plethora of people dumb enough to be characters in their own stories, which means that not a single character was fleshed out enough for you to know more about them beyond what they like (their kid, the other nutcase, the unicorn, etc.). In truth, I wasn't entertained by the film, it just became a backdrop to keep the room from being quiet – it fulfilled this function perfectly, as it was well voiced. But that's the only great thing about this movie; otherwise it's pretty average, below average. Many heroes and anti-heroes were created, but it just doesn't reach any dizzying heights. It had a great advertisement that lit up the work and drove it to the heights of heaven, but the truth is otherwise... (15/11/2016)

I'm going to repeat myself, but just like in The Legend of Tarzan, Margot was the best thing about the whole movie. It's not that I didn't enjoy the others, but next to her everyone is just dead weight. The beginning is awesome, all very stylish and crazy, as the times demand. From the awesome music to the funny and cruel lines to the costumes, everything suggested this was going to be a total blast. It's a shame that the whole film is based purely on this. The plot unfortunately doesn't offer anything new, the characters don't go deep enough, and the final denouement is a bit off. A weaker 4 stars. (10/09/2016)

It would like to be a comic book version of the Dirty Dozen, but it's more like the Devil's Brigade. I mean the unconcealed copy-cat of a more famous and better original, which is worse in everything (from motivations to action), worse but not so bad that it would force you to grab the remote and change the channel, even if you already know that you won't remember anything from this movie as soon as the final credential start. You will remember it only when you come across it in the TV program again. And that's exactly what the Suicide Squad is, characterization is one-dimensional at best (great cast did amazing job in saving the movie), there is no story line (and if there is one, it's full of lapses and illogicality), motivation and goals are barely implied, action is as intense as interchangeable and the style is so hectic as aerobatic flying. But it's not bad (especially thanks to the first half, pace and acting). Only incomplete in terms of that dirty antihero concept and, moreover, significantly shortened in a way that strikes even the layman. However, what is the worse part about it (apart from the poor final scene), is the existence of the animated movie Assault on Arkham, which did the same but much better with grace. (04/08/2016)