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Paul Haggis writes and directs this American remake of the 2008 French crime thriller Anything for Her. Literature professor John Brennan (Russell Crowe) and his wife Lara (Elizabeth Banks) have a good life, a happy marriage and an adored three-year-old son. But the idyll is shattered when Lara is arrested for a murder she insists she did not commit. For the first three years of her sentence, John struggles to keep his career and family together while pursuing every possible avenue available to him to prove Lara's innocence. When their final appeal is rejected and Lara becomes suicidal, John decides to take the law into his own hands. (Lionsgate Home Entertainment)

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kaylin 

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English Although I believe that skipping the very end would be possible because it doesn't add that much, the film is otherwise very good, albeit slightly drawn out. The desire to be with his wife again, to keep the family complete, is so strong that Russell's character will do basically anything to make it happen. The scene on the highway is well shot, but there are more. Good story. ()

Kaka 

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English Paul Haggis seems to always focus on a topic where he is the strongest: social empathy, in this case, family. A very unique film, packed with emotions and very realistic scenes. The leading duo is phenomenal from beginning to the end. Some scenes are so realistic that make your blood freeze, surprisingly, usually adorned with fascinating dialogues. The preparation for the escape is captivating, but the real inferno only begins when it comes to a breaking point. Ironically, the film, with very little action, is much faster and more lively than most action flicks. A truly monstrous masterpiece, with an incredibly fucking cool, without a single flaw. ()

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Isherwood 

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English A remake better than the original. That’s mainly because Haggis is much better at family tension than Cavayé. He succeeds mainly because the American family is much more accessible. The burden of the husband's fate is not almost existential, but instead is driven by a clear daddy motivation and offers more audience-appealing elements (the tennis ball tick, the bumpkey, the time press). My only criticism is towards the lack of more vigorous chasers (Quinn’s character is basically made for it!). Otherwise, it’s the best "escape" film since The Fugitive. 4 ½. ()

Pethushka 

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English I am beyond satisfied!!! It was more thought out compared to the subject matter, Anything for Her. The fantastically crafted adrenaline rush and Russell Crowe's desperate look say it all. I'm thrilled that John pulled it off... the plan was really well thought out and believable. Very, very nice! ()

J*A*S*M 

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English A solid escape thriller consisting of two different parts. Russel’s wife is arrested and gets a life sentence for murder (that she committed / didn’t commit?) and he decides to set her free in an extra-judicial way. The first (longer) part is about the escape plan, the second is about the execution. The script is very good, because it doesn’t show all the cards during the planning stage and things become clear only during the execution, which is a very rare approach in similar films. The escape itself is very briskly an tensely shot, but unfortunately, after the WTF moment on the motorway, the film loses its pace and continues at half-speed till the end. The epilogue is unnecessary (and maybe also counterproductive), but regardless of the not fully satisfactory ending, the feeling of a “fine genre piece” remains. 7/10 PS: The poster made of photos is very cool! ()

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