Bad Boys for Life

In its fourth instalment, a gerontic reunion held years later, the iconic buddy-movie series Lethal Weapon set out on the path of a sitcom or television genre show for middle-aged people. With its protagonists a decade older, Bad Boys makes a bee line to the soap-opera genre for seniors. On the one hand, it is fully conscious of that fact, which adds the necessary exaggeration to the film. On the other hand, the exaggerated soap-operatic moments of kitschy melodrama will paradoxically remain in the viewer’s memory longer than the diligently constructed action sequences, which are undermined by the need to digitally insert the aging stars into sequences with physically fit young people. (05/01/2021)

I spent a weekend with the whole trilogy and I’m raising my rating of the third instalment to four stars. At the cinema, I was bothered by the cheap digital visuals of the action scenes, which weren’t so noticeable on a large TV screen. The movie lacks Bay’s trademarks and compositional uniqueness, but when we take the third film’s screenplay into consideration, we see that the trademarks and visuals of the preceding films were really the only things that made them interesting. That’s true especially of the second one. Bad Boys for Life has the best screenplay by far, as it tastefully incorporates historical motifs, works cleverly and sympathetically with the characters, including the supporting characters such as the police team leaders and the distinctive bad guys, and even aptly makes fun of itself (“This is some serious telenovela shit!”). And the new, fresh team spirit evokes the beginning of a new Bad Boys era, which I believe will not eventually slip into the realm of retardation like the Fast & Furious franchise. At least as long as Arbi and Fallah are in charge. (22/01/2020)

I didn't believe it could be really good. I didn't really hope it would be. So I ended up having a hell of a time at the cinema. Bad Boys for Life is an excellent action comedy with the classic Jerry Bruckheimer signature that not only matches the previous installments, but in many ways surpasses them. True, Adil El Arbi and Bilall Fallah are not as imaginative and aggressive in the action scenes as Michael Bay used to be, but they easily fit into the "above average Hollywood craftsmanship" box and have enough ideas to keep the audience entertained during the shootouts and chases. Far more important here, however, is the humour and, above all, the perfectly natural chemistry between Will Smith and Martin Lawrence. The two clearly enjoyed their roles immensely, and they thoroughly enjoy returning after all these years. Their dialogue exchanges, bantering and mocking each other feels natural and genuine, but most of all, it's genuinely fun and funny, and you suddenly realise that they had no idea how much they had missed Mike and Marcus. Bad Boys for Life is the kind of honest action comedy that only the most optimistic could hope for. And despite a few slightly over-the-top twists, I'll admit that I don't really know what Bruckheimer and his crew should have done to make it better. This movie made me terribly happy. (15/01/2020)

I was hoping it would be good, but I wasn't expecting it to be that great. It's an action comedy without restraint, but unlike the previous films, it has an important admixture of fatality and impressive poignancy, really. The Expendables (2 and 3) could learn from this film how to mix and serve everything properly, how to make a comeback for the old gang (and a farewell party), how to introduce the new young team, and how to effectively have them work with the old without clashing. Mike and Marcus certainly deserved another movie, as did Will Smith and Martin Lawrence (he impressed me in particular with how well the more serious role suited him). The story is surprising but logical at the same time, the action scenes are just right without Michael Bay, and since it was all about flashbacks, I was very pleased to see the return of Mark Mancina's original theme music. (22/01/2020)

The ending is like something out of a Mexican telenovela on a (good) trip. The Bad Boys are back for one last escapade, but surprisingly it seems like more of a toned-down version of the first one with emphasis placed on the story. The effective storyline around Mike is brimming with death. Smith really needed this role again, which might well restart his career. And Lawrence will never land a better role. The AMMO team is unexpectedly fine and the chemistry between the old and the new works unexpectedly well. Even the new directors know their stuff. They can’t yet compete with the big boss, but they have style. And Bay’s cameo was also good to see. P.S. Paola Nuñez is awesome. (01/02/2020)