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Five twenty something New Yorkers juggle love, life and friendship. Sam Wexler is a struggling writer whose life revolves around his friends; Annie, whose self-image is keeping her from commitment; Charlie and Mary Catherine, a couple whose possible move to Los Angeles is testing their relationship; and Mississippi, a cabaret singer who has caught Sam's eye. After a particularly bad day he meets a young boy lost on the subway, and this chance meeting is the start of an unusual but rewarding friendship which forces Sam to readdress his life. (High Fliers Films)

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novoten 

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English Despite the relational study of life in New York, I did not strive to compare myself to Woody Allen, but when one dialogue "anonymously" reminded me of him, I realized that Josh Radnor wants just that. To place his narrative at least partially alongside the great one. And why not in the end? I believe in relationships, their punchlines too, and even actors are tamed exactly so that no one stands out and their smaller mosaic is adequate. There's nothing to discuss, the ideal indie contemplation is here. ()