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Freed from jail by an unlikely ally - former cop Brian O'Conner (Paul Walker) - ex-con Dominic Toretto (Vin Diesel) and his sister Mia (Jordana Brewster) are forced to enlist Brian's help once again as they find themselves cornered by a ruthless drugs gang in Rio de Janeiro. But the Rio gangsters are not the only ones on Dominic's tail; wily federal agent Luke Hobbs (Dwayne Johnson) has also been assigned to track down Dominic and Brian, and will stop at nothing to catch his prey. (Universal Pictures UK)

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Reviews (15)

DaViD´82 

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English I sincerely doubt that the screenplay contains other words than onomatopoeias, but this just makes it more powerful the way all the “boom, crack, screech, ratatatat, splosh etc." could be reformed into such intense and easy to follow action in the movie which is a lot (really a lot!) more similar to classic heist movies with cars (the original The Italian Job) and big budget, no holds barred action movies like Bad Guys II than to earlier parts that, if you were being kind, were barely average, tuned up CGI trash for teens. And the action is unusually varied, from testosterone-charged hand to hand combat, through various mass shootouts in the favelas, to demolition derby involving half of all cars in Rio. ()

novoten 

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English Who admired two years ago the old-fashioned approach combining action movies with relentless car chases will praise Justin Lin even more this time. Exactly the same thing happened to me. Although the fourth installment was a very pleasant spectacle, it simply pales in comparison to the fifth in every aspect. Another gear of speed is here and a real action gem comes, where you don't have to question yourself if you really like it or if you are making some small favor to well-known faces. Because here, you won't even have time to catch your breath properly. This is especially true for the infernal final half-hour, which is so dazzling and (in a good sense) deafening that it has rightfully elevated the franchise from being a familiar favorite to a massively visited series of blockbusters. And the biggest asset? Dwayne Johnson's beastly character and his already iconic role. 85% ()

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POMO 

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English The series is transforming from a tuning exhibition for teenagers to full-blooded action blockbusters, where the roar of engines is drowned out by fusillades from machine guns and shotguns. Fast Five offers a well-coordinated team of partners in crime, the wild jungle of Rio de Janeiro and a surprisingly elaborate and ambitious script that overshadowed Bay’s Bad Boys II (which is thematically similar in many ways and met with mixed reviews). The movie’s creators hit the bull’s-eye by casting The Rock, who boosted the film to the testosterone maximum. In a single 130-minute film, there are no fewer than three bands of tough guys equipped with great cars and big guns fighting one another. What more can we wish for in this genre? ()

J*A*S*M 

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English The first film of the franchise that I watch, attracted by the very good reviews. What I got was precisely what I expected: very well made silliness. Some of the one-liners are funny, some are ridiculous. The action is pretty brutal, you can really feel the style and the energy, even if (especially by the end) it felt a little physically fairytale-like. It’s a watchable film and one of the best in the “summer action nonsense” category. ()

Lima 

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English Hands down, the best episode of the series. Unfortunately, the overwrought pivotal action scene at the end, with a half demolished Rio and a massive vault behind two bulldozers, was too far beyond the edge of acceptability for my taste. And when they open their mouths in the non-action passages and the characters spout life's truths and wisdoms, even Mrs. Cliché and Stupidity run to hide behind the camera in terror, it was really hard to listen to. Thanks at least for Dwayne's character of Agent Hobbs, because you can never have enough of The Rock and his fist fight with Diesel, when the surrounding walls were collapsing like styrofoam backdrops, brought me out of my lethargy. ()

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