Kick-Ass 2

This is neither a superfluous sequel nor is it a failure of a sequel; this is just a sad example of what part one would have looked like if it had been filmed by a routine filmmaker with no style who saw the main assets of the material primarily (and exclusively) in all its perversity, controversy, rude words and violence for violence’s sake. Where part one was about children, but not for children, part two is about teenagers, and only for teenagers. (24/08/2013)

Well, I’m surprised. I was sceptical of the sequel to the sharp Kick-Ass, but Jeff Wadlow, or that “boring routine artists” and “video-clip maker devoid of fantasy”, as they “mandatorily” call him here, has nothing to be ashamed of. I would’ve easily believed that Matthew Vaughn remained in the director’s chair. It’s got drive, great action sequences, a fantastic soundtrack and good comedic timing. The only issues come from the script (and maybe also from the comic book), which balances worse between seriousness and detachment than in the previous movie. Otherwise, it’s more of the same, which in the case of Kick-Ass I don’t mind. (27/08/2013)

The violence is the same as in the first film, but the difference is in the way the film shows the violence. While Matthew Vaughn has somehow managed to justify its use with his own playful directorial style, Jeff Wadlow could not. Blood is again spurting out on all sides of the world (and not only blood, actually), but so what? In my opinion, it's a useless sequel, a hotly edited mash-up that can only stare enviously at its predecessor. The title character didn't interest me at all this time, the heroine didn't interest me either, although she was given more space, and the only really interesting character I really enjoyed was played by Jim Carrey. But there was so desperately little of it... (25/09/2014)

A mediocre teen flick that manages to parody and reference a large variety of genres, from superhero flicks to Mean Girls (really!), but unfortunately without a single over-the-top and memorable scene. Moretz is still great, but somehow gets ridiculously little space, and the promise of Jim Carrey's involvement resulted in the most useless and boring role of his career. It just doesn’t work without Vaughn, although the effort can't be denied. 60% (04/11/2016)

Spoiler. Without anger and bitterness. The start is solid - it honestly exploits the drive of the first film - but the entire film dies with Colonel Stars and Stripes (Jim Carrey). There is too much serious bullshit, the inconsistency of tone and the resulting self-purpose, and there are a few awkward serious scenes for a few punk scenes. The film has problems with things that the first film did with ease. About halfway through, the wheels totally fall off and the film only gets it’s groove back for a moment. Wadlow manages the details, but does not make the whole thing work. I will always love the first film for its audacity and civil pathos, but I have nothing to love or hate the second film for. He's not an evil badass mothafucka, he's just a forgettable hard-working transvestite. [50%] (19/08/2013)