After Earth

After Earth has basically one disadvantage, that it is relatively pathetic and quite predictable within the post-apocalyptic genre, which it down to average. Otherwise, it is a solid film in every respect, even the acting wasn’t bad. Of course, the father is better than the son, but that was expected. Visually very attractive, with interesting and atypical production design and surprisingly, it is often quite captivating. Shyamalan has kept to what he always does, Regardless of the quality of all key aspects, he is always original. (27/10/2013)

Jaden Smith is a supremely unlikeable brat who happens to have a charismatic dad who’s burying him a successful career by pushing him hard into production and acting. And the film itself? An embezzlement of a 130 million budget, though better than Shayamalan's last three flicks, but that’s nothing to be proud of. (18/09/2013)

Shyamalan once again showed that he is not that bad of a director, but also that he really should not write screenplays. The story is primitive, full of dementia and clichés. Smith Jr. in the lead role is also no money-maker. This interesting topic (from Will Smith's brain) could certainly have been more than an expensive-looking and story-free sci-fi about a father-son relationship. (05/06/2013)

Not great, not terrible. The story could have taken place anywhere, let's say in British Columbia, from where (or to where) the central couple would be transporting, say, a grizzly bear... The science fiction presentation just bogs it down with unnecessary questions like "Why does the planet freeze overnight and how does nature deal with it?". Neither of the Smiths gives a particularly interesting performance, nor does the direction come up with any great ideas... Perhaps only Newton Howard's music is above average. (07/10/2014)

This film has a promising start. With its interesting sci-fi vision, beautiful visuals and the theme of bringing a father together with his son, who is also undergoing a process of self-realisation process, After Earth has great blockbuster potential. Despite the pleasant charm of adventurousness, however, the result is a weak storyline that fails completely in terms of both emotion and message. It is like when you know what you are supposed to be experiencing as a viewer, but it just passes you by due to its naivety and half-baked nature. To a large extent, that is actually Jaden Smith’s fault, or perhaps we should blame Shyamalan’s directing. (15/05/2019)