After Earth

The darker moments are adorned with pointed monologues, unknown beings appear photographed at unusual angles, and family values ​overwhelm trump everything around them. Despite its mild austerity, After Earth is ultimately a pure dose of M. Night Shyamalan, and it disappoints me that Night probably won't have a chance to climb out of the incomprehensible box of an underestimated artist. Because, aside from a few harsh basic lessons about the laws of nature, I would follow this path to salvation to the highest level. 85% and a great desire to ge that chance at least one more time. (21/09/2013)

This film has a promising start. With its interesting sci-fi vision, beautiful visuals and the theme of bringing a father together with his son, who is also undergoing a process of self-realisation process, After Earth has great blockbuster potential. Despite the pleasant charm of adventurousness, however, the result is a weak storyline that fails completely in terms of both emotion and message. It is like when you know what you are supposed to be experiencing as a viewer, but it just passes you by due to its naivety and half-baked nature. To a large extent, that is actually Jaden Smith’s fault, or perhaps we should blame Shyamalan’s directing. (15/05/2019)

This movie has such a precise filmmaking that it’s almost a shame that it’s ruined by individual moments that I simply can’t look past. After Earth is a great movie with an interesting premise and a directing that Shyamalan really nailed. But the really decent overall quality is ruined by, for example, the relationship between the father and the son, thus between Will and Jaden. I thought that it was all too serious and over-the-top. Actually, I didn’t manage to form any kind of relationship with them throughout the entire movie. It felt as if two human robots were on screen. A father with a broken leg talking all sorts of nonsense due to a delirium and a son with a mission that not even the best SAS unit could take on. I was also bothered by some of the individual scenes, like the one in which Jaden jumps off a mountain. I was getting over that for quite some time. But hats off! Shyamalan can still shoot the movies he himself believes in, even with a compromised career. And then the entire movie ends up looking really great, but after about twenty minutes of a “wow” atmosphere comes some sort of a nonsense that makes me sick to my stomach. (17/11/2013)

Not great, not terrible. The story could have taken place anywhere, let's say in British Columbia, from where (or to where) the central couple would be transporting, say, a grizzly bear... The science fiction presentation just bogs it down with unnecessary questions like "Why does the planet freeze overnight and how does nature deal with it?". Neither of the Smiths gives a particularly interesting performance, nor does the direction come up with any great ideas... Perhaps only Newton Howard's music is above average. (07/10/2014)

Two stars, because unlike The Happening, sometimes something actually happens here. It doesn't make sense, but neither does the story itself. It was as if Will was inventing it half asleep over his son's bed. But what kind of bastard tells a child a similar sectarian and emotionless story of subordination? A Scientologist? Shyamalan films some of the scenes under sedation - otherwise, he wouldn't miss how the dad and son rubberized him. The icing on the cake is a kind of eco message grafted on Moby Dick for unknown reasons. Cruel for a fairy tale, naive for a drama, lame for an action film. I hope the idiot who once called Shyamalan the new Spielberg saw this film. He should kneel and tell us how he feels. And the Indian master should retire to sniff turmeric. Which, of course, will finally happen. Judging by the effects, this is a huge $130 million fraud. (12/06/2013)