The Imitation Game
Directed by:
Morten TyldumScreenplay:
Graham MooreCinematography:
Oscar FauraComposer:
Alexandre DesplatCast:
Benedict Cumberbatch, Keira Knightley, Matthew Goode, Rory Kinnear, Allen Leech, Matthew Beard, Charles Dance, Mark Strong, James Northcote, Tom Goodman-Hill (more)VOD (3)
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Academy Award-winning historical drama starring Benedict Cumberbatch as British codebreaker and computer scientist Alan Turing. The film follows Turing from his teenage years to his wartime work and the trouble he later faced in his private life. Along with his friend and colleague Joan Clarke (Keira Knightley) and the rest of his team at the Government Code and Cypher School in Bletchley Park, Turing races against time to decipher the Nazi's Enigma machine during World War II. Despite playing a significant role in helping Britain defeat Germany, Turing is later convicted of homosexual acts and suffers greatly in his personal life as a result. (StudioCanal UK)
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An unenthusiastic 70%. The Imitation Game is the kind of film that every Oscar season must have, a well-executed real-life story about someone exceptional. This time we have Alan Turing, genius mathematician, rather asocial weirdo, and gay. Rather than the building of Turing’s machine and the breaking of the Enigma code, I was captivated by the moral dilemma related to the impossibility to use the broken code to save lives (they could have dedicated more time to that) and the way society treated a hero who happened to be different. Overall, it’s a good film, but I liked Tyldum’s previous thriller, Headhunters, a lot more.
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For this movie to be perfect, it would have to be less literal and with less Hollywood-like straightforward emotions (A Beautiful Mind), but with more British nobility and reason (Tinker Taylor Soldier Spy). If the main character were black, it would be the most formulaic movie with Academy Award ambitions ever made. Benedict Cumberbatch is, however, excellent.
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I have no idea how much the film plays with the facts and what it fabricates, but it doesn't really matter because it's a pretty good story, and that's what matters. There are great characters here, with Benedict Cumberbatch quite expectedly leading as one of the best British actors of today. Or is he already? I like that the film has a broader relevance beyond the war subject.
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Although the story is shot according to a mostly traditional (not to be confused with average) biopic template, thanks to the fantastic actors, great production design, direction, music by Alexandre Desplat and atmosphere, it is easy to forgive a lot of things. The supremely convincing Benedict Cumberbatch should have been given some sort of patent for his oddball roles by now, as great as he is, but the charismatic Mark Strong and Charles Dance don't stay in his shadow and Keira Knightley is more than a mere decoration. It was successful.
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Valkyrie, but for the ladies. A less dramatic and slower film, yet still comprehensible than A Beautiful Mind, for instance. Benedict Cumberbatch excels and the is script's playful, precise, and interesting. It only becomes pathetic and descends into sentimentality when Keira Knightley starts flirting.
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