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Academy Award-winning historical drama starring Benedict Cumberbatch as British codebreaker and computer scientist Alan Turing. The film follows Turing from his teenage years to his wartime work and the trouble he later faced in his private life. Along with his friend and colleague Joan Clarke (Keira Knightley) and the rest of his team at the Government Code and Cypher School in Bletchley Park, Turing races against time to decipher the Nazi's Enigma machine during World War II. Despite playing a significant role in helping Britain defeat Germany, Turing is later convicted of homosexual acts and suffers greatly in his personal life as a result. (StudioCanal UK)

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Malarkey 

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English A beautiful and properly crafted depiction of one rather fundamental event that took place in the middle of Britain during the desolate period of World War II. Practically everything is great about it... despite the fact that encryption and Enigma have never appeared in any major interesting films that would be worth remembering and would not be boring. But along came Morten Tyldum and changed everything, along with the absolutely amazing Benedict Cumberbatch, who once again proved how great an actor he is and that Britain should consider him its national treasure. In any case, Keira Knightley is also unusually beautiful here, and I was also pleased with Charles Dance, who definitely deserves more roles in big films in his old age. Anyway, I would divide the film itself into two parts. That is, before the deciphering and after it, as before the deciphering, the suspense is on a completely different level. In terms of duration, the second part is a bit shorter. On the other hand, it is much more intense and at that moment the real emotions come. At that moment, I also realize that Alexandre Desplat’s soundtrack is fantastic. If there are any flaws in this movie then I didn’t notice them. I’d wish for Alan to meet a better end, but unfortunately that’s life for you. Especially at those times… ()

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DaViD´82 

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English Turing's Pure Soul that pays special attention to the (least) interesting aspects of his destinies (and when it pays special attention it is done in the style of cliché advertising like "when he goes, we also go" or "hurray" etc.) to sideline the most important and disproportionately interesting events which is strange. As a result, Cumberbatch's performance is particularly interesting. Not so much the performance itself (though this too) as in the context of his crucial roles, when after having performed characters of Hawking, Sherlock and Assange, this is already the fourth time when he plays similar role on paper, the archetype of the role of a "odd duck" genius, without in any way (or just a gesture) repeat the same performance over and over again. ()

J*A*S*M 

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English An unenthusiastic 70%. The Imitation Game is the kind of film that every Oscar season must have, a well-executed real-life story about someone exceptional. This time we have Alan Turing, genius mathematician, rather asocial weirdo, and gay. Rather than the building of Turing’s machine and the breaking of the Enigma code, I was captivated by the moral dilemma related to the impossibility to use the broken code to save lives (they could have dedicated more time to that) and the way society treated a hero who happened to be different. Overall, it’s a good film, but I liked Tyldum’s previous thriller, Headhunters, a lot more. ()

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