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Based on a true story, The Impossible is the unforgettable account of a family caught, with tens of thousands of strangers, in the mayhem of one of the worst natural catastrophes of our time. But the true-life terror is tempered by the unexpected displays of compassion, courage and simple kindness that Maria (Naomi Watts) and her family encounter during the darkest hours of their lives. Both epic and intimate, devastating and uplifting, The Impossible is a journey to the core of the human heart. (Entertainment One)

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Reviews (12)

D.Moore 

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English A very, very, very good film. Strong, sensitive, appropriately dramatic and perhaps even authentic (or so it seemed). The performances of the adults and children were top-notch, the director conjured up almost "Malick-esque" moments at times (the meditative music also helped) and I blinked only a few times during the whole 113 minutes to make sure I would avoid missing anything. I really liked the fact that we learned only the bare essentials about the main characters at the beginning, and that the script avoided any flashbacks to the happy past or shots of the grieving relatives somewhere on the other side of the world. It is a pity that the DVD was a bit sloppy, because instead of the announced Czech subtitles and Czech subtitles for the deaf, it offered only the latter, and so I found the messages in square brackets quite distracting. For example, before the wave hit I read [strange sounds...] and then countless times [music...].__P.S. Do not read the content! ()

J*A*S*M 

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English Finally, in this flood of dry and by-the-numbers award catchers, there is a film with heart that you can enjoy without a theoretical analysis. Impressive, intense, brilliantly made (the tsunami scene!) and touching like nothing in many years. Of course, sometimes the story is very clearly modified for the needs of the script (the casual mass reunion reminded me a little to the similarly made-up phone call in Argo). But when it works so well, who cares. ()

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lamps 

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English A painful and thorough reconstruction of a great natural catastrophe, delivered mainly through the physical and mental suffering of the protagonists, with whom the viewer feels for until the last second, clinging like a tick to that sliver of hope that is the only thing that helps to keep their sanity in such a situation. I haven't kept my fingers crossed for film characters that much in a long time, and perhaps no film has ever made me cheer not for nature but for helpless and suffering people. When you watch Naomi Watts and see how incredibly real her torn and bruised face looks and every cry of pain feels, you can't help but put your feet up on the sofa and keep watching, even though there is no doubt about the "happy ending". Director Bayona doesn't have to worry about work, because here he squeezed all the juice out of the premise, and judging by the praise from the real people who were there, he squeezed it in a clearly correct and effective way :-) 80% ()

Kaka 

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English Neither a pumped up eye-candy blockbuster, nor unnecessarily split emotions made in Spain, but it brings out the good from both. From the very first shots, you can see J.A. Bayona has talent, and the action sequence with the tsunami sweeps you away with its breathtaking visuals and uncompromising authenticity and clarity. The middle and final search part is a bit weaker in terms of both the script and pacing, but it still holds onto the necessary big emotions and, thanks to the capable director's hand, it doesn't slip into sentimentality, and when it does, only marginally, which can be endured. Naomi Watts is the best actress of our time. ()

3DD!3 

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English It hit me very hard. Maybe I’m getting soft in my old age. Perfectly played characters, neither Naomi Watts nor Ewan McGregor are trying to be falsely nice, the kids (like in reality) are sometimes begging for a spanking, but things rarely get out of hand. You can’t tell that when the wave washes everything away that it’s special effects. I don’t understand how they could film this so well without demolishing a hotel and defiling a bit of Thailand coastline. The introductory mayhem is replaced by emotionally draining search for the family split up by the catastrophe. And you know how everybody lies, saying they didn’t cry at the end of Titanic? That applies here for a whole half of the movie. The Impossible is a sincere tear-jerker with a powerful ending. Bayona is a director I will have to look out for in the future. His style turned a regular disaster movie into a breath-taking event where chills run up and down your spine, you feel nauseous and at the end you’re be so relieved that later you will cuddle up tight to your better half, female or male. I’m scared too. ()

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