Jupiter Ascending

This is bad, bad. The story is so stupid and without ideas... Lana and Andy just played that it will all look great, which it does, but it didn't impress me. Their "Matrix" was full of thoughts, sometimes so much that one got lost in it and it didn't work the best, but in this case it's just too empty and without any good idea. Yes, there is mythology created here, but what is happening here is simply too much of nothing. And Mila Kunis has a really annoying character here. (23/04/2015)

A film where, due to a completely dysfunctional narrative continuity, we often don't even know what awaits us in the next minute (which could be a big plus), but due to a catastrophically overstuffed and unbalanced script, bland characters and a chaotic depiction of everything from the setting to the motivations, we end up not caring about it. It’s hard to imagine a greater travesty that Hollywood, as a purveyor of expensive non-art entertainment with infinite expressive possibilities, from the visual to the aural, has ever produced or will. 20% (12/09/2015)

Sometimes it's sad to see how a perfect-looking blockbuster can crumble into smaller and smaller pieces with each scene. What starts with the absurd scenes with the Russian family the script calmly continues with random scenes without no explanation of bizarre names, theories, and memories, and it absolutely triumphantly concludes with Eddie Redmayne in a perfectly annoying acting role in front of a pre-embalmed corpse that cannot produce a single comprehensible sentence. Lana and Lilly Wachowski should be glad that Channing Tatum smoothly switched to air skating, because without his aerial antics in the final fiery inferno, the rating would unquestionably drop into even more terrifying places. (05/02/2015)

I didn't expect much, but I got more than enough. Fabulous sci-fi trash in the best sense of the word (in short, a full-fledged successor to 1980's Flash Gordon), set in an absolutely amazing world and almost constantly entertaining. Hand on heart, it's not much different from the much-vaunted Marvel movies. True, there could have been a little more perspective (crop circles and space bureaucrats with Terry Gilliam amused me immensely), but then Jupiter Ascending could also have turned into an awkward comedy, which the Wachowskis (after Speed Racer, thank God) clearly didn't intend. The action scenes are superbly engaging, the special effects are lavish, everything is nicely clear and understandable, but perhaps the most pleasing thing for me was Michael Giacchino's bombastic music and its judicious use, which makes it not really stick out from the film , but it is not simply neglected either. Four pure stars and I'll probably go to the cinema again (I'll put on Flash Gordon before that happens). (06/02/2015)

Too bad about the idiotic script and zero character motivation. The reason to watch the Wachowskis' films, besides the many clever ideas and often interesting innovations in various aspects, is the visuals, and unfortunately that's also the only thing that really works reliably here. But what to do when all those aesthetically intoxicating, almost bizarrely Victorian sets and worlds look so stunning and yet the film is such crap? Surprisingly, the Tatum & Kunis chemistry works above average but it’s cheesy. (25/10/2015)