Wrath of the Titans

Enemies swarm one after another and Jonathan Liebesman lets all kinds of mud piles explode, but the charm somewhat fades. Sam Worthington's fierce expression could easily carry even a much weaker film, but this time around he has to take on a bit of routine, where the unforgettable battles like the scorpions from the first installment are missing. Chimera or settling the score with Kronos are still enjoyable, though on the other hand, the Cyclops and the Minotaur partly feel like forced attractions that the producers insisted should not go missing from an ancient fantasy saga. When even Rosamund Pike cannot fully sustain the role of the recast Andromeda (in a performance that is unnecessarily distinctive and incomprehensibly different), the final impression is unexpectedly sad. Yet where the creators redeem themselves is in their fearlessness in dealing with superior beings. I did not expect such a harsh body count, and because I don't insist on adhering to Eduard Petiška's stories (it's not history, but mythology), I remained pleasantly surprised at least by that. The feeling that this vengeful campaign against the Titans could have been done a class better, however, remained. (25/06/2012)

Robert Graves must still be turning in his grave, but perhaps not so frequently this time. Because you have to admit that Wrath of the Titans provokes no wrath at all in its viewers and so is certainly a lot more bearable and better than Clash of the Titans. However, more bearable and better doesn’t mean that it’s bearable and good. (29/03/2012)

I'd love to be a screenwriter in Hollywood and write stuff like this (there were four of them in this film), it would be easier to make a living than collecting welfare. It's even dumber than the previous one, which is to be expected. The only thing I wonder about this crap is how many times Neeson and Fiennes said to each other on set, "God, what kind of crap did we get ourselves into again." (14/06/2012)

More than just decent action and a feast of special effects for the eyes. Mr. Lava is sufficiently destructive and blobs of molten stuff that fly off him when he waves his arms about wipe whole cities off the map with apologetic matter-of-factness. The other monsters are also done very nicely. Keep up the good work. The story is roughly as dumb as the lamer episodes of Hercules: The Legendary Journeys and Xena: Warrior Princess from my the days of my youth, but thanks to a bigger budget the whole thing looks a lot better. Liam Neeson is cool again, Sam also tries hard (with this screenplay, nobody has much acting to do) and Rosamund Pike is a slightly prettier Andromeda than the last one. The romantic storyline doesn’t work, and schizophrenic Perseus, always talking to himself, doesn’t instill much trust... but there we go. The action is super and I’ll certainly play Wrath a couple more times. (15/06/2012)

Compared to Clash of the Titans, Wrath is a gratifying leap forward. All things considered, there was really only one thing that bothered me about the film - the English inscription on Perseus' wife's grave. Otherwise, I want to praise just about everything - from the entertaining plot, which is actually a multiple mythological family drama, to the top-notch effects (I felt like all those chimeras and cyclops were real), the actors (the Fiennes-Neeson duo, the beautiful Rosamund Pike, the impeccable Bill Nighy), the direction (Letterier would never have made such atmospheric scenes as the one in the cyclops forest or one final reconciliation), the music (a simple but striking main theme) to the hairstyle of the main character, who finally looks like he is from the period. (25/06/2012)