Boys Don't Cry

Hilary Swank proved in this film what a great actress she is and I'm glad she was able to repeat that later on. Here, it's great to see how she was able to adapt to the role, how she got into it, and how she was able to portray this tragic fate in such a way that you don't just admire her for her ability, but also because she delivers the plot in such a way that you experience it with her. (26/02/2018)

I’m not a big fun of indie films from an indie environment about indie people. The last half hour is impressive, but I still can’t appreciate the annoying eternity that preceded it. What captivated me the most is how it’s possible that the characters believe Hillary Swank is a boy. She’s good in it, but… seriously? (07/06/2011)

Hilary Swank is truly incredible, and I couldn't believe that an actress with such strong personal charm could portray a boy so believably. But as much she and Chloe Sevigny excel in front of the camera, Kimberley Peirce somewhat flounders behind it. The story has a strong idea and its unpleasant atmosphere easily gets deep under the skin, but the two hours drag on terribly and most of the characters are portrayed in such a way that you can hardly establish a relationship with them. After it was over, I was left with the nagging feeling that it was really all about Hilary Swank and her short haircut walking determinedly for a well-deserved Oscar, and that the rest of the film was already lost in a vague haze. For me, therefore, 3 1/2*. (11/11/2012)

Incredibly suggestive and raw filmmaking that doesn't let the viewer breathe and then surprises them in the finale. Hilary Swank delivers a masterful performance, aided not only by a wonderfully written character but also by a significant physical transformation, including a masculine haircut. It's unbelievable the way openly sexuality and relationships are addressed here. The Oscar is in the right hands, and I believe that the Academy didn't have to think twice. (08/05/2006)

I considered giving it a fifth star, but the characters lack depth. The screenwriter assumed that the issue of sexual identity and the intense, bloody conflict at the end would suffice for viewers and settled for insufficiently developed characters within the framework of a real criminal case. Thanks to the acting performances, it's enough, and Hilary Swank will struggle to surpass this role. Her transformation overshadowed the others - which is unfortunate because practically all the actors are good, with Chloë Sevigny deserving at least a mention. From a directorial standpoint, it's slightly above average, and among other film elements, the quality music must be noted. Overall impression 80%. (14/02/2008)