Directed by:
Peter BergScreenplay:
Peter BergCinematography:
Tobias A. SchliesslerCast:
Mark Wahlberg, Taylor Kitsch, Emile Hirsch, Ben Foster, Eric Bana, Ali Suliman, Alexander Ludwig, Sammy Sheik, Scott Elrod, Rohan Chand, Marcus Luttrell (more)VOD (4)
Plots(1)
No-holds-barred combat drama written and directed by Peter Berg and starring Mark Wahlberg. The film follows a group of four US Navy SEALs as they are deployed on a mission to kill or capture Ahmed Shahd (Yousuf Azami), a formidable Taliban leader. While working carefully to avoid detection, the team are spotted by a local goat herder and his two sons. Faced with the tough decision between killing them, an act that would be against the Geneva Conventions, and setting them free, which would potentially compromise their cover, the team choose the humane but risky option. But when one of the boys informs the local Taliban of the SEALs' whereabouts it isn't long before the team are engaged in a bloody and ferocious battle. The ensemble cast includes Emile Hirsch, Taylor Kitsch, Ben Foster and Eric Bana. (Universal Pictures UK)
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Reviews (11)
It is closest in its formal concept to Black Hawk Down, but it doesn't have the same quality action or the same narrative value. Peter Berg made it for blokes, but he only managed to create a mediocre raw survival action flick where marines, shot up like a sieve, fly around rocks and perform all kinds of stunts that you can imagine. He was able to create a good military atmosphere, and has observed and listened, but unfortunately the ending terrible, similar to Tears of the Sun, to which is this one is very similar in terms of the screenplay.
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A not very sophisticated war movie that disgusted me in the first half with the awful black and white view of the world by the Americans, for whom anyone wearing a turban is a dangerous enemy. Fortunately, things get better in the third act, which gets its feet back on the ground in this regard. Even with all the whistling, the survival-combat part was pretty good fun.
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I suspect an agitational order from the Department of Defense selling one of its "based on a true story" films. I do not deny the power of the plot, nor the willingness to bow before the fallen and salute the bereaved. From the middle onwards, I was just terribly annoyed by Berg's direction, which pushes pathos out of the screen (in slow-mo so long that it borders on parody), gradually losing contact with the protagonists, who become nothing more than bodies falling from rocks, covered in bloody welts. The first contact, without music and with a "predator" camera, is flawless, but I simply don't think the constant subjective close-ups of faces create the right action military drama. In the final act, I felt ashamed for the creators. It’s only functional as an acted intermezzo for "Medal of Honor."
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Berg serves us with cool action in another bungled Navy Seals raid in Afghanistan. Because it’s based on real events makes the movie that more powerful. Especially the number of hits the heroes take before they really expire. The fairly realistic treatment then slips into Bay-isms, but that doesn’t bother me so much, it’s just that Lone Survivor doesn’t turn out so naturalistic. The cast is excellent, especially Kitsch and Foster are outstanding.
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The introduction is OK. The middle – and longest – survival part of the film is stunning, visually well-arranged and efficiently conveyed, with several chillingly brutal scenes. The climax is ridiculously simplistic political propaganda for the average US viewer. Overall, Lone Survivor is good film for relaxation, but it will sink into oblivion as fast as all of Peter Berg’s action flicks.
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