The Firemen's Ball

Tragicomic film, where personally I feel more emphasis on the tragedy because even though the movie is quite relaxed, I can't help but see how people behave and how these caricatures in Forman's film are real. Hypocrisy, greed, disrespect, and mediocrity, all hidden under the fact that you have some, basically any title. (21/06/2015)

A well deserved great cult-classic, whose humour will be relevant for a long time thanks to the perfectly cast non-actors. The scene with the selection of the beauty queen in particular is simply flawless, especially the expression of Šebánek and co. after the arrival of all the girls' "jewels". Miloš Forman had it in the bag from the beginning of his career, he knew what to expect from a film and what to do about it, and this funny and nostalgic movie is a clear proof of that. (26/08/2012)

The best film by Miloš Forman that he made before leaving for overseas. At the same time, a sophisticated and uncomfortably effective sarcastic allegory on real communism in the Czech environment. Lots of venomous lines, humorous situations, and great acting, as well as clever filmmaking that helped Forman succeed in the world. Move the bed closer to the fire so that he warms up. Despite the undisputed cruelty of many scenes, I really like this film. The foreign producer was desperate at the time of selecting the girls for the beauty queen competition, but evidently didn't understand that the director was after something completely different. Overall impression: 95%. (13/06/2006)

A brilliant comedy that is more chilling than funny. Under the commies, every critical film was said to hold up a mirror, and that is very accurate for this film. The fire brigades protested, but it's not about them at all, this film has a much deeper message. The scene with the old man at his burning house is one of the saddest I've ever seen. (13/04/2003)

A portrait of Czech (at its core apparently international) smallness, fitted on a small canvas of a Firemen's ball. Excellent acting performances, convincing atmosphere, humor that makes you laugh, but then you get surprised by the strange chill... The final dialogue about those who steal and those who do not steal should be shown as the equivalent of the national anthem of the Czech Republic. Forman used the same means as in A Blonde in Love, Ondříček’s excellent documentary camera, a brass band background, and dialogues as if randomly watched in medias res. The gags are even sharper and more refined than in the previous film, some of which make one laugh, whilst others make your smile freeze. As Vladislav Vančura used to say: humor is not laughing, but rather knowing better. And after watching The Firemen's Ball, the viewer truly knows better and it is not joyful at all. Unfortunately, the film does not lose its topicality. On the contrary. (09/02/2004)