The Raid

A handful of cops, a billion Asian butchers and a building where even Chuck Norris would shit his pants. In other words, a manual for success. We can finally confirm that the aura of an exceptional film built around this Indonesian action sensation since its première at the Toronto Film Festival a few months ago is the real deal. The Raid: Redemption is the kind of film you really don’t see every day. A relentless action ride, brutal, intense and at times terrifying. It’s hard to talk in detail about this beauty, it has to be seen. It’s been long since a genre five-stars was this pure :) (28/05/2012)

An assault of pure physicality that more than anything else harms its own aura. With the label "action spectacle of the year" or even the decade, the expectation automatically arises that something more will emerge from The Raid: Redemption than just a bloody brawl. It doesn't – and it's not necessary. In the catalog of Indonesian fatalities, the boiling adrenaline was most heightened by seemingly inconspicuous but deadly Mad Dog Yayan Ruhian. His main performance, in which he gradually transitions from rubber jumps, twists, and turns to gathering the last remnants of strength for the hardest blow, literally takes your breath away. (18/12/2014)

Don't blame me for the three stars. I guess I really wanted more from the film because even though the director and choreographer understand what can be squeezed out of the actors (and that it definitely exceeds every conceivable limit of what we've seen so far), the plot, on the mental level of an arcade, just slips into a painful stereotype in the second half and just repeats what we've seen before. In addition, the final fight also loses a lot of its attractiveness, so if I want to contemplate this in the pub I'll take a big sip at the memory of the trick with the fridge, but the rest will be like that cheap catchphrase "...you know how that guy is going to beat up the other guy, right?" This likely says a lot about the fact that I'd regularly suffer through it a second time; in fact, I kind of envy those who are giving it perfect reviews. :) (29/05/2012)

It's as if Jackie Chan had swapped humour for brutality and in a film directed by John Woo, who got tired of guns. I enjoy straightforward action movies and The Raid is a perfect example of how they should look like. The film gets right down to business, everything feels real, honest, there's no time for big plot twists, it's a completely different, blood-soaked display of acrobatics that takes your breath away. In addition, the cramped setting of corridors, staircases and small apartments invites to invent more and more ways to destroy the hordes of villains, who sometimes jump from everywhere in the style of the undead from some modern zombie flick. I'd seen the films it has inspired (Dredd, The Princess, maybe even John Wick) before The Raid, but I didn't mind it at all. (03/01/2023)

An uncompromising action cutup that, despite the brilliant fight choreography, feels slightly repetitive, especially in its second half. In any case, the final impression is very strong, because I've probably never seen anything like it. A perfect example of a film where the characters themselves merely play second fiddle and where everything is strictly orchestrated for an intense, brutal action experience. (01/05/2020)