Serbuan Maut
Directed by:
Gareth EvansScreenplay:
Gareth EvansCast:
Iko Uwais, Joe Taslim, Doni Alamsyah, Yayan Ruhian, Pierre Gruno, Ray Sahetapy, Tegar Satrya, Iang Darmawan, Eka Rahmadia, Alfridus Godfred, Hengky Solaiman (more)VOD (4)
Plots(1)
Deep in the heart of one of Jakarta's most deprived slums stands an impenetrable high-rise apartment block. To most it is 30 floors of hell to be avoided at all costs and is considered a no-go area by even the bravest and most experienced police officers. In a desperate bid to flush these violent criminals and their leader from their haven once and for all, an elite SWAT team is tasked with infiltrating the building and raiding the apartments floor by floor, taking out anyone who stands in their way. Once inside, it soon becomes terrifyingly apparent that the real problem at hand is surviving long enough to be able to get out again. (Momentum Pictures)
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Reviews (10)
It's as if Jackie Chan had swapped humour for brutality and in a film directed by John Woo, who got tired of guns. I enjoy straightforward action movies and The Raid is a perfect example of how they should look like. The film gets right down to business, everything feels real, honest, there's no time for big plot twists, it's a completely different, blood-soaked display of acrobatics that takes your breath away. In addition, the cramped setting of corridors, staircases and small apartments invites to invent more and more ways to destroy the hordes of villains, who sometimes jump from everywhere in the style of the undead from some modern zombie flick. I'd seen the films it has inspired (Dredd, The Princess, maybe even John Wick) before The Raid, but I didn't mind it at all.
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An assault of pure physicality that more than anything else harms its own aura. With the label "action spectacle of the year" or even the decade, the expectation automatically arises that something more will emerge from The Raid: Redemption than just a bloody brawl. It doesn't – and it's not necessary. In the catalog of Indonesian fatalities, the boiling adrenaline was most heightened by seemingly inconspicuous but deadly Mad Dog Yayan Ruhian. His main performance, in which he gradually transitions from rubber jumps, twists, and turns to gathering the last remnants of strength for the hardest blow, literally takes your breath away.
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A handful of cops, a billion Asian butchers and a building where even Chuck Norris would shit his pants. In other words, a manual for success. We can finally confirm that the aura of an exceptional film built around this Indonesian action sensation since its première at the Toronto Film Festival a few months ago is the real deal. The Raid: Redemption is the kind of film you really don’t see every day. A relentless action ride, brutal, intense and at times terrifying. It’s hard to talk in detail about this beauty, it has to be seen. It’s been long since a genre five-stars was this pure :)
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A bloody punch-up that is the perfect embodiment of the action adventure movie. The plot is maybe as simple as the thought processes of the Hotel Paradise guests, a SWAT team raids an apartment block of bad-ass killers and come up against tough resistance, but prevail. Amazing choreography, no shortage of brutality, blood splatters, fight dosage according to the manufacturer’s instructions. Yayan Ruhian is a killing machine and Iko Uwais is a grandmaster. Shinoda’s soundtrack is great for this movie.
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An uncompromising action cutup that, despite the brilliant fight choreography, feels slightly repetitive, especially in its second half. In any case, the final impression is very strong, because I've probably never seen anything like it. A perfect example of a film where the characters themselves merely play second fiddle and where everything is strictly orchestrated for an intense, brutal action experience.
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