Thor: The Dark World

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Marvel Studios presents the epic blockbuster Thor: The Dark World, starring Chris Hemsworth. Worlds collide when a powerful ancient enemy threatens to plunge the cosmos into eternal darkness. Now, reunited with Jane Foster (Natalie Portman), and forced to forge an alliance with his treacherous brother Loki (Tom Hiddleston), Thor embarks on a perilous personal quest to save both Earth and Asgard from destruction. (Disney / Buena Vista)

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3DD!3 

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English Taylor doesn’t manage to balance the dramatic and comedy levels and so the viewer goes from the brink of tears to dumb giggling in the course of a minute. I know this because I was sitting next to a zitty nerd and I saw moments of total fascination alternate with obscene whooping. It lacks a sense of gradation because the picture gets to its peak in the middle, the beginning is a little slow and the ending is simply too cursory (after the battle in London). Otherwise, the second Thor is meant to sell the wider Marvel universe, to explain, introduce and amaze, which it does. It has no hesitation in piling on sweeping scenes where nothing less than the fate of that universe is at stake. Between its annihilation and the villain stand a bunch of incompetent scientists, a muscleman with a hammer and a pathological liar/fraudster/mass murderer. The most entertaining of those is the last named. Yes, Loki rules again (literally) and steals the scenes he appears in. Asgard is presented in its full glory at last, as well as others of the nine worlds on that tree or whatever it is. Evil elves are great baddies, with very novel firearms and effective grenades. Fights galore, even if a firmer hand and more ideas would have been great. Poor Natalie ended up with definitely the dumbest character (probably as the antithesis of God) and however much her dress suits her, that is the only upside that can be claimed. The post credits scene is linked strongly to The Collector, especially in the remarks appearing in discussions. Great things are planned and the world of the Guardians of the Galaxy looks really weird and even inviting. I’m sincerely curious. P.S.: The Capo’s cameo is one of his best. God bless Ameri... ()

Kaka 

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English Thor is a weaker comic character than the Avengers, Batman, or Superman. Not that Asgard is not visually attractive or even epic, because it definitely is, it reminded me of the aerial shots on Helm's Deep or Minas Tirith from Lord of the Rings. Unfortunately, the characters in this film, including the main one, are simplistic, straightforward, and mostly boring, especially Loki. The same goes for the screenplay. So, you can expect heroic speeches, a few jokes, a hideous main villain, a hideous secondary villain, a group of heroes in equal numbers, a woman who beautifies the screen, several action scenes, and rhythmic music, so to speak. Oh, and of course, a reference in the last shot confidently heading towards the third installment. WEAKS. There are only two iconic scenes (Loki facing the Monster and Idris Elba as the conqueror of spaceships Part 1), nothing more. Isn't that too little for 180 million? ()

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Malarkey 

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English When it comes to Thor, I was sure of my contentment before I even went to the cinema. A few weeks before I watched the movie, I went to Berlin and by chance, I happened to experience the German premiere, which was attended by Chris, Tom and Natalie. This was the first time that I experienced such a premiere and I must say that it is enough to let everything about the movie devour me completely. The atmosphere is incredible. The actors smile at everyone, they sign everything, they make small talk with everyone. Don’t tell me you wouldn’t fall in love with them in the blink of an eye. After this experience, I simply had to go see the sequel. It was a thrilling ride at the cinema. Actually, the mythology around Thor is nothing all that spectacular, but I have to say that among all of the superheroes and reboots of old trilogies, it is very nice to see. In fact, it’s a kind of high-quality filmmaking that doesn’t get taken seriously at all. Unlike other Marvel comic book heroes, this is a nice change. The action is decent, the effects are well-made, the humor is not bad, and then you can add great acting performances into the mix – especially Tom Hiddleston’s – and an inconspicuous cult that’s slowly but surely growing. I just still can’t decide whether I’m team Thor or team Loki. ()

Marigold 

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English He came, he saw, he was not surprised. Purely as an old acquaintance, I forgive the emotionally collapsed (rather inflated in terms of tone) first half, the Marvel exposition according to the "nothing from something" template is, of course, expected. Nevertheless, it seems to me that the scheme "from the dark depths of the universe will emerge another horse face that has another mega-weapon to destroy the cosmos" is starting to get quite worn out and hackneyed. The best thing about Thor: The Dark World is not the main storyline, but rather the completion of relational peripeteia from past films (Thor x Frigga, Thor x Loki, a comedy storyline with a disturbed Erik). It is shot skillfully, it tries to dilute the theatricality with dark fantasy and a greater richness of relationships between the gods. The result is not dazzling, but at least it works (and where it doesn’t, it ironically thematizes the discrepancy - jumps between dimensions). I was expecting some more surprises and a slightly fresh approach. But the series team hit the Marvel tracks and isn't tearing out the sleepers. In the end, it escalates nicely, Natalie is (more and more the same) fragile, Chris waves the hammer around decently... basically, things are essentially the same as always. Nothing amazing, nothing beneficial, no new interesting characters... a pleasant stop on the way to something bigger. Which I'm actually not really looking forward to. Thor: The Dark World confirmed to me that the only real life line in the Marvel world is Iron Man. If, instead of saving the world, he's worrying about what is going on inside his head. Otherwise, it's a wooden costumed opera that is nice to look at, but it doesn't really move anything forward. I liked the first film more, because everything was new and detailed. The second film just successfully draws from it. Edit: No, I cannot give it 4 stars compared to Iron Man 3... [65%] ()

POMO 

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English On paper, this movie must have looked more promising than what Alan Taylor wound up doing with it. Kenneth Branagh and his more serious note, as well as the sense of a dramatic arc of the film as a whole, are missing from the second Thor. The biggest weakness (even on paper) is the hasty ending. Nevertheless, it is still a nice chill-out movie, with some nice acting, a pretty Natalie Portman, the feel of a fantasy, epicness and some great scenes, both comic and dramatic. I don’t recommend watching this in 3D, as the colors are faded and it does not have a single scene that would justify its use. ()

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